French fiction -- Translations into English; Historical fiction; Man-woman relationships -- Fiction
“Well, sir,” she continued (and the face that she turned to him was
gentle and sad), “whatever motive induced this rash intrusion upon my
solitude, it is very painful to me, you see. You are too young to be
totally without good feeling, so surely you will feel that this behavior
of yours is improper. I forgive you for it, and, as you see, I am
speaking of it to you without bitterness. You will not come here again,
will you? I am entreating when I might command. If you come to see me
again, neither you nor I can prevent the whole place from believing that
you are my lover, and you would cause me great additional annoyance. You
do not mean to do that, I think.”
She said no more, but looked at him with a great dignity which abashed
him.
“I have done wrong, madame,” he said, with deep feeling in his voice,
“but it was through enthusiasm and thoughtlessness and eager desire of
happiness, the qualities and defects of my age. Now, I understand that
I ought not to have tried to see you,” he added; “but, at the same time,
the desire was a very natural one”--and, making an appeal to feeling
rather than to the intellect, he described the weariness of his enforced
exile. He drew a portrait of a young man in whom the fires of life were
burning themselves out, conveying the impression that here was a heart
worthy of tender love, a heart which, notwithstanding, had never known
the joys of love for a young and beautiful woman of refinement and
taste. He explained, without attempting to justify, his unusual conduct.
He flattered Mme. de Beauseant by showing that she had realized for him
the ideal lady of a young man’s dream, the ideal sought by so many,
and so often sought in vain. Then he touched upon his morning prowlings
under the walls of Courcelles, and his wild thoughts at the first sight
of the house, till he excited that vague feeling of indulgence which a
woman can find in her heart for the follies committed for her sake.
Public-domain text, read in full here on John Shaqi.
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