At three-and-twenty, diffidence nearly always rules a man’s conduct; he is perplexed with a young girl’s shyness, a girl’s trouble; he is afraid lest he should express his love ill, sees nothing but difficulties, and takes alarm at them; he would be bolder if he loved less, for he has no confidence in himself, and with a growing sense of the cost of happiness comes a conviction that the woman he loves cannot easily be won; perhaps, too, he is giving himself up too entirely to his own pleasure, and fears that he can give none; and when, for his misfortune, his idol inspires him with awe, he worships in secret and afar, and unless his love is guessed, it dies away. Then it often happens that one of these dead early loves lingers on, bright with illusions in many a young heart. What man is there but keeps within him these virgin memories that grow fairer every time they rise before him, memories that hold up to him the ideal of perfect bliss? Such recollections are like children who die in the flower of childhood, before their parents have known anything of them but their smiles. So M. de Nueil came home from Courcelles, the victim of a mood fraught with desperate resolutions. Even now he felt that Mme. de Beauseant was one of the conditions of his existence, and that death would be preferable to life without her. He was still young enough to feel the tyrannous fascination which fully-developed womanhood exerts over immature and impassioned natures; and, consequently, he was to spend one of those stormy nights when a young man’s thoughts travel from happiness to suicide and back again--nights in which youth rushes through a lifetime of bliss and falls asleep from sheer exhaustion. Fateful nights are they, and the worst misfortune that can happen is to awake a philosopher afterwards. M. de Nueil was far too deeply in love to sleep; he rose and betook to inditing letters, but none of them were satisfactory, and he burned them all. The next day he went to Courcelles to make the circuit of her garden walls, but he waited till nightfall; he was afraid that she might see him. The instinct that led him to act in this way arose out of so obscure a mood of the soul, that none but a young man, or a man in like case, can fully understand its mute ecstasies and its vagaries, matter to set those people who are lucky enough to see life only in its matter-of-fact aspect shrugging their shoulders. After painful hesitation, Gaston wrote to Mme. de Beauseant. Here is the letter, which may serve as a sample of the epistolary style peculiar to lovers, a performance which, like the drawings prepared with great secrecy by children for the birthdays of father or mother, is found insufferable by every mortal except the recipients:--