The desire of the moth ; $b and, The come onRhodes, Eugene Manlove
General
The desire of the moth ; $b and, The come on
Rhodes, Eugene Manlove
American fiction -- 20th century; Western stories
The four in the barroom listened, grinning. When they heard Pringle's
door slam shut Bell Applegate nodded and Creagan went out on the
street. Behind him, at a table near the pool-room door, the law
planned ways and means in a slinking undertone. "You keep in the
background, Joe. Let us do the talking. Foy just naturally despises
you--we might not get him to stay the fifteen minutes out. You stay
back there. Remember now, don't shoot till Ben lets him get his arm
loose. _Sabe_?"
"Maybe Meester Ben don't find heem."
"Oh, yes, he will. Ditch meeting to-night. Ought to be out about now.
Setting the time to use the water and assessing _fatiga_ work. Every
last man with a water right will be there, sure, and Foy's got a
dozen. Max, you are to be a witness, remember, and you mustn't be
mixed up in it. Got your story straight?"
"Foy he comes in and makes a war-talk about Dick Marr," recited Max.
"After we powwow awhile you see his gun. You tell him he's under
arrest for carryin' concealed weapons. You and Ben grabbed his arm; he
jerked loose and went after his gun. And then Joe shot him."
"That's it. We'll all stick to that. S-st! Here they come!"
There are men whose faces stand out in a crowd, men you turn to look
after on the street. Such--quite apart from his sprightly past--was
Christopher Foy, who now entered with Creagan. He was about thirty,
above middle height, every mold and line of him slender and fine and
strong. His face was resolute, vivacious, intelligent; his eyes were
large and brown, pleasant and fearless. A wide black hat, pushed back
now, showed a broad forehead white against crisp coal-black hair and
the pleasant tan of neck and cheek. But it was not his dark, forceful
face alone that lent him such distinction. Rather it was the perfect
poise and balance of the man, the ease and unconscious grace of every
swift and sure motion. He wore a working garb now--blue overalls and a
blue rowdy. But he wore them with an air that made him well dressed.
Foy paused for a second; Applegate rose.
"Well, Chris!" he laughed. "There has been a time when you might not
have fancied this particular bunch--hey? All over now, please the
pigs. Come in and give it a name. Beer for mine."
"I'll smoke," said Foy.
"Me too," said Espalin.
He lit a cigar and returned to his chair. Ben Creagan passed behind
the bar and handed over a sixshooter and a cartridge belt.
"Here, Chris--here's the gun I borrowed of you when I broke mine. Much
obliged."
Foy twirled the cylinder to make sure the hammer was on an empty
chamber and buckled the belt under his rowdy.
"My hardware is mostly plows and scrappers and irrigating hoes
nowadays," he remarked. "Good thing too."
"All the same, Foy, I'd keep a gun with me if I were you. Dick Marr is
drinking again--and when he soaks it up he gets discontented over
old times, you know." Applegate lowered his voice, with a significant
glance at Espalin. "He threatened your life to-day. I thought you
ought to know it."
Public-domain text, read in full here on John Shaqi.
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