Several years before Saunders had offered a beautiful banner as a prize
to the winning Sunday-school, and year after year it was won and held
for twelve months by the school offering the most successful singers.
To-day it leaned against the organ, its beautiful needlework glistening
in the sunlight. Wagons and vehicles of all sorts brought persons for
miles in every direction. The weather was delightful, being neither
warm nor cool. In the edge of the crowd were lemonade and cider stands,
surrounded by thirsty customers. In the edge of the crowd a Confederate
veteran with an empty sleeve had a phonograph on the end of a wagon,
which, under his proud direction, was turning out selections of the
most modern vocal and instrumental music. Another thing which was
attracting attention was Saunders's new automobile, which had been
driven up from Atlanta by the agent who had sold it. It stood in the
roadway near the arbor, and was admired by all who passed it. Saunders
himself had been busy all day helping place the seats and arrange the
program. While he was thus engaged Dolly and her mother and Ann
arrived. He saw them pause to look at his car, and then they came on to
the arbor. Dolly was to play the organ, and she went on to the
platform, some music-books under her arm. She had on a new hat and new
dress, which he thought more becoming to her than any he had seen her
wear. Happening to glance across the seated crowd, he saw Mostyn by
himself on the outer edge of the arbor, his eyes--wistfully fixed on
Dolly.
"He still loves her; he can't help it," Saunders groaned, inwardly. "I
can see it in his eyes and face. Oh, God, am I really to lose her after
all? She will pity him now in his loneliness and grief and turn to him.
She can't help it. She won't harbor resentment, and is not a woman who
could love more than once. She knows he is here, and--and that accounts
for the glow on her face and tense look in her eyes. She knows he was
weak, but she will hear of his repentance and atonement, and take him
back. Well, well, I have no right to come between them, and yet--and
yet--oh God, I can't give her to him--I can't--I can't! I have hoped
and waited! It would kill me to lose her now."
He caught Dolly's glance. She smiled, and he went to her at the organ,
where she stood opening her music.
"What do you think?" she laughed, impulsively. "They have asked me for
a speech."
"Well, you must make it," he said, a catch of despair in his throat,
for she had never seemed so unattainable as now.
"I've made up my mind," she said, firmly. "I sha'n't do it. I'm in no
mood for it. They needn't insist. I shall play the organ, and that is
enough for one day."
"She's thinking of Mostyn," Saunders reflected, bitterly. "She knows he
is free now. She reads his regret in his face, and, woman that she is,
she pities him--she loves him." To her he finally managed to say: "I
saw you looking at my new car."
Public-domain text, read in full here on John Shaqi.
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