The despot of Broomsedge CoveCraddock, Charles Egbert
General
The despot of Broomsedge Cove
Craddock, Charles Egbert
Mountain life -- Fiction; Tennessee -- Fiction
By daylight the Settlement was hardly so apparent to the casual eye as at
night, when each red light was the exponent of a fireside. The houses,
some of them a quarter of a mile apart, nestling amidst their orchards,
were quite invisible while the foliage lasted. The inequalities of the
ground further masked the extent of the hamlet; occasionally a blue curl
of smoke from beyond a jagged hill gave the only intimation that its
further slopes were preëmpted as a home. The blacksmith’s shop was on
the extreme outskirts, beyond the fields and the abandoned spaces where
the broomsedge grew. The massive wooded mountain rose close behind it;
the gorge narrowed just beyond it, and between the cliffs a stream, with
a swift arrowy motion, and now and then a white flash, shot down the
steeps. The smith made it useful in his simple art, and its song was a
solace to his idle hours. But this was not the only chant flung forth
upon the air. Loud and long were the sounds of revelry often issuing from
the forge, and in a diminuendo reaching even the ears of the far-away
neighbors, who thanked their stars that they were no nearer. The elders,
constrained alike by dignity and religion, were wont to shake their
heads, and sourly marvel what could be going on at the forge; and the
younger men frequently found themselves obliged to go over at once and
investigate. The forge was the resort of certain hilarious spirits,
among whom the smith himself was chief. Concerning these roisterers
grim reports were bruited abroad. It was averred that a greasy pack of
“playin’-kyerds” was cherished there, and that a “streak o’luck” seemed
to be more desired than light on salvation. A jug of a portly grace
had been descried, one day, lurking behind the elevated hearth of the
forge,—quite empty, it is true, but an aroma lingered about its corn-cob
stopper that was fresh and strong and unmistakable. They often sang;
the blacksmith’s burly bass voice could be heard with the supplementing
echoes over many a furlong of his native wilds. They pitched horse-shoes
in lieu of “quates,” and wrestled and measured their strength in many
good-humored combats. When the great barn-like doors were open and the
forge fire flickered out into the night, the place under the overhanging
ledge of the mountain was like the mouth of some vast cavern. To those
chancing to look in from the glooms without, while the white light fell
here and there in a brilliant gleam upon the faces within, and anon
fluctuated, and then sank to a red glow, and so to darkness, the hearty
mortal fellows at their turbulent sports were vaguely unfamiliar, and as
uncanny as goblins, or gnomes, or troglodytes. And the Settlement seemed
wise in wishing them no nearer.
It was a weird and isolated place, and with these impressions astir about
it, there was little wonder that a wilder fantasy should presently gain a
circulation.
Public-domain text, read in full here on John Shaqi.
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