The Destiny of the Soul: A Critical History of the Doctrine of a Future LifeAlger, William Rounseville
Religion
The Destiny of the Soul: A Critical History of the Doctrine of a Future Life
Alger, William Rounseville
Future life -- Christianity -- Bibliography; Future life -- Christianity -- History of doctrines
painted or etched on the urns and sarcophagi that fill the
sepulchres were portraits of the deceased, accurate likenesses,
varying with age, sex, features, and expression. These personal
portraits were taken and laid up here, doubtless, to preserve
their remembrance when the original had crumbled to ashes. What a
touching voice is this from antiquity, telling us that our poor,
fond human nature was ever the same! The heart longed to be kept
still in remembrance when the mortal frame was gone. But how vain
the wish beyond the vanishing circle of hearts that returned its
love! For, as we wander through those sepulchres now, thousands of
faces thus preserved look down upon us with a mute plea, when
every vestige of their names and characters is forever lost, and
their very dust scattered long ago.
Along the sides of the burial chamber were ranged massive stone
shelves, or sometimes benches, or tables, upon which the dead were
laid in a reclining posture, to sleep their long sleep. It often
happens that on these rocky biers lie the helmet, breastplate,
greaves, signet ring, and weapons, or, if it be a female, the
necklace, ear rings, bracelet, and other ornaments, each in its
relative place, when the body they once encased or adorned has not
left a single fragment behind. An antiquary once, digging for
discoveries, chanced to break through the ceiling of a tomb. He
looked in; and there, to quote his own words, "I beheld a warrior
stretched on a couch of rock, and in a few minutes I saw him
vanish under my eyes; for, as the air entered the cemetery, the
armor, thoroughly oxydized, crumbled away into most minute
particles, and in a short time scarcely a trace of what I had seen
was left on the couch. It is impossible to express the effect this
sight produced upon me."
An important element in the religion of Etruria was the doctrine
of Genii, a system of household deities who watched over the
fortunes of individuals and families, and who are continually
shown on the engravings in the sepulchres as guiding, or actively
interested in, all the incidents that happen to those under their
care. It was supposed that every person had two genii allotted to
him, one inciting him to good deeds, the other to bad, and both
accompanying him after death to the judgment to give in their
testimony and turn the scales of his fate. This belief, sincerely
held, would obviously wield a powerful influence over their
feelings in the conduct of life.
Public-domain text, read in full here on John Shaqi.
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