The Destruction of the Greek Empire and the Story of the Capture of Constantinople by the TurksPears, Edwin
History
The Destruction of the Greek Empire and the Story of the Capture of Constantinople by the Turks
Pears, Edwin
Byzantine Empire -- History -- 1081-1453; Istanbul (Turkey) -- History -- Siege, 1453
[Sidenote: Increased number of fugitives after 1453.]
The impulse given to the study of Greek by exiles during the
half-century, preceding the conquest of Constantinople and by the
enthusiasm of a series of scholars from Petrarch and Boccaccio down to
1453, was greatly stimulated by the increase of fugitives consequent
on the capture of the city. Among the scholars who made their way
westward the best known are Lascaris, who rose to high distinction as
a statesman, Callistos, Argyropulos, Gaza, and Chalcondylas. Between
1453 and the end of the century, Greek was studied with avidity. Youths
learned to speak as well as to write it.
[Sidenote: Renaissance _in excelsis_.]
The arrival of numbers of scholars in Italy shortly before and shortly
after 1453 is contemporaneous with the full springtime of the great
revival of learning. A series of remarkable efforts had been made
to restore ancient Roman and Greek glory as seen in literature and
architecture. Learning was regarded as a new and improved evangel.
The learning of the ancients was compared with the ignorance of the
Churchmen. The new movement marked a great reaction and went to
unjustifiable extremes. Some of the advocates for classical influence
went to the extent of discarding Christian in favour of Pagan morality.
A curious passionate enthusiasm for the classic and venerated past took
possession of the most enlightened men in Italy. Paganism, because
it was contemporaneous with the classical period, invaded the Church
itself. All the architecture, art, and literature of Christianity was
bad except in so far as it approximated to Pagan models. The late J. A.
Symonds gives a striking illustration of the distance this enthusiasm
carried men, in suggesting that Faust may be taken as the symbol of
the desire during the Renaissance for classical learning. Faust is
content to sell his soul to the devil, but in return he sees Homer
and Alexander and obtains Helen as his bride and is satisfied.[551]
The careful study of the Latin classics, the marvellous development
of painting, architecture, and sculpture, but, above all, the keen
interest felt in the newly developed study of Greek with its Platonic
philosophy and its new vision of life, were all to produce wonderful
fruit within a generation after 1453 and to culminate in Italy in an
age of singular intellectual brilliancy.
[Sidenote: Study of Greek taken up in Northern Europe.]
Public-domain text, read in full here on John Shaqi.
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