The Desultory Man: Collection of Ancient and Modern British Novels and Romances. Vol. CXLVII. — John Shaqi
The Desultory Man: Collection of Ancient and Modern British Novels and Romances. Vol. CXLVII.James, G. P. R. (George Payne Rainsford)
General
The Desultory Man: Collection of Ancient and Modern British Novels and Romances. Vol. CXLVII.
James, G. P. R. (George Payne Rainsford)
Fiction
It may seem like heresy to say it, but, after having visited many
countries, I am still inclined to think that France in its various
parts, notwithstanding its proximity to our own country, retains more
points of interest, more of the _couleur locale_, than any other land.
But an Englishman, who travels to see France and French people, ought
always to dine at the table d'hôte, wherever he finds one. The higher
classes of all nations are too nearly alike to offer any very striking
points of difference to a casual observer, for the general principle
of all is to conceal what they feel and what they think, at least in
public; but the mixture of a table d'hôte affords almost always
something worth studying. It is in such circumstances that we find the
most legible pages in the book of human nature. The classes of
Englishmen travelling in France are somewhat altered since Sterne's
time. The economical traveller is not so simple as he was then: there
are also travellers who go for luxury; there are travellers for
novelty; there are travellers for information; and there are
travellers who journey forth into the world from the mere necessity of
locomotion. These last are very numerous amongst the English. One of
this class, finding the disease coming on violently, builds himself a
low carriage, with very substantial wheels, and plenty of room for his
feet. He furnishes it with all the peculiar luxuries of London, strews
the left-hand seat with novels, and, placing himself in the interior,
with his servant behind, draws up the windows, and fancies he is
travelling through Europe. The profound meditations which he enjoys in
the inside of his painted box are seldom if ever interrupted, except
when the carriage stops, and he asks, "John, where am I?" The servant
holds open the door, touches his hat, and replies, "At Rome, sir!" and
the traveller, yawning, walks into the inn.
There are several varieties of this class merging into others. One
morning a party of them came into the aisle, when I was in the
cathedral at Rouen (a very beautiful specimen of Gothic building, let
criticism say what it will). The only attention they gave it was one
vacant stare, which wandered heedlessly over the rich ornaments and
the most magnificent combination of arches that architecture can
produce--swore it was _fine_, _very fine_, and walked out. I asked the
valet-de-place who accompanied us, how long English travellers staid
in general, when they visited the cathedral. He said, "About five
minutes; but if they staid longer at all, they generally made it
nearly as long as we had been."
I am not particularly given to cathedral hunting, nor am I fond of
what Forsyth calls "picking the bare bone of antiquity," but when I
meet with any thing either beautiful in itself, or which awakens in my
mind a pleasing train of ideas, I am apt to give it more than five
minutes.
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