The Development of Embroidery in AmericaWheeler, Candace
History
The Development of Embroidery in America
Wheeler, Candace
Bayeux tapestry; Embroidery -- United States; Tapestry -- United States
So the old art survived its transplantation and rooted itself in spite
of storms of terror, and during and after the test of fire and blood,
and spread, after the manner of art and knowledge, until it became the
joy and comfort of a new race, a vehicle of feminine dexterity and an
expression of the creative instinct with which in a greater or lesser
degree we are all endowed.
We can easily believe that stores of linen and precious china, as well
as the small wheels for the spinning of the flax, could not be denied to
the devoted women who chose to share the hard fortunes of their Pilgrim
husbands and fathers. It is probable that in one form or another
possessions of crewel embroidery were transported with them.
I know of no well-authenticated specimen which came in actual substance
in that elastic vessel, but undoubtedly there were such, while many and
many existed in the minds and memories of the women of the new colony,
to come to life and take on actual form, color and substance when the
days of their privations were numbered. If such actual treasured things
existed and were preserved through the early days of colonial life,
every stitch of them would hold within itself traditions of tranquillity
in a world where homes stood, and fields were tilled in safety, because
of the vast plains of ocean which lay between them and savage tribes.
In the earliest days of the colonies we could hardly expect more than
the necessary practice of the needle, but when we come to the second
period, when neighborhoods became towns, and cabins grew into more or
less well-equipped farmhouses, Puritan women gladly reverted to the
accomplishments of pre-American conditions. The familiar crewelwork of
England was the form of needlework which became popular.
In looking for materials with which to recreate this art, they had not
at that time far to seek. Wool and flax were farm products, necessities
of pioneer life, and their manufacture into cloth was a well-understood
domestic art.
Domestic animals had shared the tremendous experiment of transplantation
of a fragment of the English race, and had suffered, no doubt, with
their masters and owners, the struggles with savages and unaccustomed
circumstances, but they had survived and increased "after their kind."
Even through the strenuous wars against their very existence by
uncivilized man, they lived and increased. Cows "calved," and sheep
"lambed," and wool in abundance was to be had.
The enterprising Puritan woman pulled the long-fibered straggling lock
of wool, sorted out and rejected from the uniform fleeces, carded it
with her little hand cards into yard-long finger-sized rolls, and
twisted it upon her large wheel spindle, producing much such thread as
an Italian peasant woman spins upon her distaff to-day as she walks upon
the shore at Baiae.
Public-domain text, read in full here on John Shaqi.
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