The Development of the Feeling for Nature in the Middle Ages and Modern TimesBiese, Alfred
History
The Development of the Feeling for Nature in the Middle Ages and Modern Times
Biese, Alfred
Nature; Nature in literature
So sweet a kiss the golden sun gives not
To those fresh morning drops upon the rose,
As thy eye-beams, when their fresh rays have smote
The night of dew that on my cheek down flows;
Nor shines the silver moon one half so bright
Through the transparent bosom of the deep.
As doth thy face through tears of mine give light;
Thou shinest on every tear that I do weep.
(_Love's Labour's Lost._)
This is modern down to its finest detail, and much richer in
individuality than the most famous comparisons of the same kind in
antiquity.
Sea and stream are used:
Like an unseasonable stormy day
Which makes the silver rivers drown their shores
As if the world were all dissolved to tears,
So high above his limits swells the rage
Of Bolingbroke. (_Richard II._)
The current that with gentle murmur glides,
Thou know'st, being stopped, impatiently doth rage;
But when his fair course is not hindered,
He makes sweet music with the enamell'd stones,
Giving a gentle kiss to every sedge
He overtaketh on his pilgrimage;
And so by many winding nooks he strays
With willing sport to the wild ocean.
Then let me go, and hinder not my course.
(_Two Gentlemen of Verona._)
Faster than spring-time showers comes thought on thought.
You are the fount that makes small brooks to flow.
And what is Edward but a ruthless sea?
(_Henry VI._)
If there were reason for these miseries,
Then into limits could I bind my woes;
When heaven doth weep, doth not the earth o'er-flow?
If the winds rage, doth not the sea wax mad,
Threatening the welkin with his big-swoln face?
And wilt thou have a reason for this coil?
I am the sea: hark, how her sighs do blow!
She is the weeping welkin, I the earth;
Then must my sea be moved with her sighs;
Then must my earth with her continual tears
Become a deluge, overflow'd and drowned.
(_Titus Andronicus._)
This battle fares like to the morning's war
When dying clouds contend with growing light,
What time the shepherd blowing of his nails
Can neither call it perfect day nor night.
Now sways it this way, like a mighty sea
Forced by the tide to combat with the wind;
Now sways it that way, like the self-same sea
Forced to retire by fury of the wind.
Sometime the flood prevails and then the wind:
Now one the better, then another best;
Both tugging to be victors, breast to breast,
Yet neither conqueror nor conquered.
So is the equal poise of this fell war.
(_Henry VI._)
In the last five examples the epic treatment and the personifications
are noteworthy.
Comparisons from animal life are forcible and striking:
How like a deer, stricken by many princes,
Dost thou lie here! (_Julius Cæsar._)
Richard III. is called:
Public-domain text, read in full here on John Shaqi.
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