The Development of the Feeling for Nature in the Middle Ages and Modern TimesBiese, Alfred
History
The Development of the Feeling for Nature in the Middle Ages and Modern Times
Biese, Alfred
Nature; Nature in literature
To the butterfly--proboscis of Siebenkäs, enough honey--cells
were still open in every blue thistle-blossom of destiny.
When they had passed the gate--that is to say, the
un-Palmyra-like ruins of it--the crystal reflecting grotto of the
August night stood open and shining above the dark green earth,
and the ocean-calm of Nature stayed the wild storm of the human
heart. Night was drawing and closing her curtain (a sky full of
silent suns, not a breath of breeze moving in it) up above the
world, and down beneath it the reaped corn stood in the sheaves
without a rustle. The cricket with his one constant song, and a
poor old man gathering snails for the snail pits, seemed to be
the only things that dwelt in the far-reaching darkness.
When it was autumn in his heart:
Above the meadows, where all the flowers were withered and dead;
above the fields, where the corn ears waved no more, floated dim
phantom forms, all pale and wan, faint pictures of the past. Over
the grand eternal woods and hills a biting mist was draped in
clinging folds, as if all Nature, trembling into dust, must
vanish in its wreaths.... But one bright thought pierced these
dark fogs of Nature and the soul, turning them to a white
gleaming mist, a dew all glittering with rainbow colours, and
gently lighting upon flowers.
When his married life grew more unhappy, in December:
The heart of our sorrowful Firmian grew sadder yet, as he stood
upon this cold, burnt-out hearth-place of Nature.
and in spring
it seemed to him as if his life dwelt, not in a bodily heart, but
in some warm and tender tear, as if his heavy-laden soul were
expanding and breaking away through some chink in its prison, and
melting into a tone of music, a blue ether wave.
And _Titan_ expresses that inner enfranchisement which Nature bestows
upon us:
Exalted Nature! when we see and love thee, we love our fellow-men
more warmly, and when we must pity or forget them, thou still
remainest with us, reposing before the moist eye like a verdant
chain of mountains in the evening red. Ah! before the soul in
whose sight the morning dew of its ideals has faded to a cold,
grey drizzle ... thou remainest, quickening Nature, with thy
flowers and mountains and cataracts, a faithful comforter; and
the bleeding son of the gods, cold and speechless, dashes the
drop of anguish from his eyes, that they may rest, far and clear,
on thy volcanoes, and on thy springs and on thy suns.
This is sunset in his abstruse artistic handling:
Public-domain text, read in full here on John Shaqi.
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