The Development of the Feeling for Nature in the Middle Ages and Modern TimesBiese, Alfred
History
The Development of the Feeling for Nature in the Middle Ages and Modern Times
Biese, Alfred
Nature; Nature in literature
[Footnote 41: Comp. H. von Eichen, _Geschichte und System der
mittelalterlichen Weltanschauung_. Stuttg. Cotta, 1887.]
CHAPTER III
[Footnote 1: Prutz, _Geschichte der Kreuzzüge_. Berlin, 1883.]
[Footnote 2: Allatius, _Symmicta_. Coeln, 1653.]
[Footnote 3: _Deutsche Pilgerreisen nach dem heiligen Lande_,
Roehricht und Meissner. Berlin, 1880.]
[Footnote 4: For excellent bibliographical evidence see _Die
geographische Kenntnis der Alpen im Mittelalter_ in supplement to
_Münchner Allgem. Zeitung_, January 1885.]
[Footnote 5: Comp. Oehlmann, _Die Alpenpässe im Mittelalter, Jahrbuch
für Schweizer_.]
[Footnote 6: Biese, _op. cit._]
[Footnote 7: Fr. Diez, _Leben und Werke der Troubadours_. Zwickau,
1829]
[Footnote 8: _Des Minnesangs Frühling_, von Lachmann-Haupt.]
[Footnote 9: _Geschichte der Malerei._ Woermann und Wottmann.]
[Footnote 10: 'Detailed study of Nature had begun; but the attempt to
blend the separate elements into a background landscape in
perspective betrayed the insecurity and constraint of dilettante work
at every point.' Ludwig Kämmerer on the period before Van Eyck in
_Die Landschaft in der deutschen Kunst bis zum Tode Albrecht Dürers_.
Leipzig, 1880]
CHAPTER IV
[Footnote 1: _Die Kultur der Renaissance in Italien._]
[Footnote 2: _Untersuchungen über die kampanische Wandmalerei._
Leipzig, 1873.]
[Footnote 3: Comp. Schnaase, _op. cit._]
[Footnote 4: _Argon_, ii. 219; iii. 260, 298. Comp. Cic. _ad Att._,
iv. 18, 3.]
[Footnote 5: _Renaissance und Humanismus in Italien und Deutschland._
Berlin, 1882. (Oncken, _Allgemeine Geschichte in Einzeldarstettungen_,
ii. 8.)]
[Footnote 6: _Itinerar. syr._, Burckhardt ii.]
[Footnote 7: _Loci specie percussus_, Burckhardt i.]
[Footnote 8: In his paper 'Kulturgeschichte und Naturwissenschaft'
(_Deutsche Rundschau_, vol. xiii.), which is full both of original
ideas and of exaggerated summary opinions, Du Bois Reymond fails to
do justice to this, and altogether misjudges Petrarch's feeling for
Nature. After giving this letter in proof of mediæval feeling, he
goes on to say: 'Full of shame and remorse, he descends the mountain
without another word. The poor fellow had given himself up to
innocent enjoyment for a moment, without thinking of the welfare of
his soul, and instead of gloomy introspection, had looked into the
enticing outer world. Western humanity was so morbid at that time,
that the consciousness of having done this was enough to cause
painful inner conflict to a man like Petrarch--a man of refined
feeling, and scientific, though not a deep thinker.' Even granting
this, which is too tragically put, the world was on the very eve of
freeing itself from this position, and Petrarch serves as a witness
to the change.]
[Footnote 9: Comp., too, _De Genealogia Deorum_, xv., in which he
says of trees, meadows, brooks, flocks and herds, cottages, etc.,
that these things 'animum mulcent,' their effect is 'mentem in se
colligere.']
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