The Devil's Elixir, Vol. 1 (of 2)Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Science
The Devil's Elixir, Vol. 1 (of 2)
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Devil -- Fiction; Fantasy fiction, German -- Translations into English; Gothic fiction; Monks -- Fiction
The strangers left the monastery. But, as I sat alone in my cell, I
could not disguise from myself, or deny, that I felt a certain
cheerfulness of mind, and exhilaration of spirit. It was obvious that
the powerful and spirituous odour of the wine had revived me. No trace
or symptom of the bad effects of which Cyrillus had spoken did I
experience. On the contrary, an influence the most opposite became
decidedly manifest.
* * * * *
The more that I now meditated on the legend of St. Anthony, and the more
livelily that I called to mind the words of the tutor, the more certain
did it appear to me, that the explanations of the latter were correct
and well-founded. Then, first, with the rapidity and vehemence of
lightning, the thought rushed through me, that on that unhappy day, when
the horrible vision broke the thread of my discourse, I too had been on
the point of interpreting the legend of St Anthony in the same manner as
an ingenious allegory. With this thought another soon was united, which
filled my mind so completely, that every other consideration almost
faded away.
"How," said I to myself, "if this extraordinary and odoriferous drink
actually possessed the secret efficacy of restoring thy strength, and
rekindling that intellectual fire which has been so frightfully
extinguished? What, if already some mysterious relationship of thy
spirit, with the mystical powers contained in that bottle, has been
plainly indicated, and even proved, if it were no more than by
this,--that the very same odour which stunned and distracted the weakly
Cyrillus, has, on thee, only produced the most beneficial effects?"
* * * * *
When already I had at various times even resolved to follow the counsel
of the strangers, and was in the act of walking through the church
towards the reliquary room, I perceived an inward, and, to myself,
inexplicable resistance, which held me back. Nay, once, when on the very
point of unlocking the cabinet, it seemed to me as if I beheld in the
powerful _alto relievo_ of the antique carvings on the pannel, the
horrible countenance of the painter, with his fixed glaring eyes, of
which the intolerable expression still penetrated through my heart, and
vehemently seized by a supernatural horror, I fled from the room, in
order to prostrate myself at one of the altars in the church, and repent
of my temerity!
Public-domain text, read in full here on John Shaqi.
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