The Devil's Elixir, Vol. 1 (of 2)Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Science
The Devil's Elixir, Vol. 1 (of 2)
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Devil -- Fiction; Fantasy fiction, German -- Translations into English; Gothic fiction; Monks -- Fiction
With my first consciousness of existence dawned on my perceptions the
beautiful imagery of the cloister and celebrated church of the
Lime-Tree. Even at this moment, methinks the dark oak wood yet rustles
around me; I breathe once more the fragrance of the luxuriant grass and
variegated flowers which were my cradle. No noxious insect, no poisonous
reptile, is found within the limits of that sanctuary. Scarce even the
buzzing of a fly, or chirping of a grasshopper, interrupts the solemn
stillness, diversified only by the pious songs of the monks, who walk
about in long solemn processions, accompanied by pilgrims of all
nations, waving their censers of consecrated perfume.
Even now, I seem yet vividly to behold in the middle of the church, the
stem of the lime-tree cased in silver, that far-famed tree, on which
supernatural visitants had placed the miraculous and wonder-working
image of the Virgin, while from the walls and lofty dome, the well-known
features of Saints and Angels are once more smiling upon me.
In like manner, it appears to me also, as if I had once beheld in the
same place the mysterious figure of a tall, grave, and austere-looking
man, of whom I was given to understand, that he could be no other but
the far-famed Italian painter, who had, in times long past, been here
professionally employed. No one understood his language, nor was his
real history known to any one of the monks. This much only was certain,
that he had, in a space of time incredibly short, filled the church with
its richest ornaments, and then, as soon as his work was finished,
immediately disappeared, no one could tell how or whither.
Not less vividly could I paint the portrait of a venerable pilgrim, who
carried me about in his arms, and assisted me in my childish plays of
searching for all sorts of variegated moss and pebbles in the forest.
Yet, though the apparition of the painter was certainly real, that of
the pilgrim, were it not for its influence on my after life, would seem
to me but a dream.
One day this personage brought with him a boy of uncommon beauty, and
about my equal in years, with whom I seated myself on the grass, sharing
with him my treasured store of moss and pebbles, which he already knew
how to form into various regular figures, and above all, into the holy
sign of the cross. My mother, meanwhile, sat near us on a stone bench,
and the old pilgrim stood behind her, contemplating with mild gravity
our infantine employments.
Public-domain text, read in full here on John Shaqi.
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