The Devil's Elixir, Vol. 1 (of 2)Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Science
The Devil's Elixir, Vol. 1 (of 2)
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Devil -- Fiction; Fantasy fiction, German -- Translations into English; Gothic fiction; Monks -- Fiction
I begged the strange little man not to put himself into such a flutter,
as I had the fullest reliance on his skill and cleverness.
"Cleverness!" resumed he with great fervour; "what is cleverness? Who
was clever? He who took the measure at five eye-lengths, and then
jumping thirty yards, tumbled into the ditch? He who could throw the
grain of linseed at thirty steps distance through the eye of a needle?
He who hung five hundred weight on the point of his sword, and then
balanced it on his nose for six hours, six minutes, six seconds, and a
half?--Ha! what is cleverness? Be it what it may, it is foreign to
Belcampo, whose whole soul is imbued by art, sacred art.
"_Art_, sir, _art_! My fancy revels in the wonderful formation, the
_creation_ of locks--in that moulding of character, which indeed the
breath of a zephyr in wiry curls builds and annihilates. There, art (or
science, as it may, for variety's sake, be called) conceives, developes,
labours, and originates! In this, sir, there is indeed something truly
divine; for art is not properly that of which men, under this name,
speak so much, but rather springs out of all to which this name has been
given.
"You understand me, sir; for I perceive that you have a meditative head,
as I conclude from that lock which hangs over your excellency's right
temple."
I assured him (however falsely) that I completely understood him; and
being diverted with the man's originality of humour, I resolved that,
holding his boasted science in due respect, I would by no means
interrupt his eloquence, however diffuse.
"What then," said I, "do you intend to make of this confused head of
mine?"
"All, everything that you please or wish," said the man. "If, however,
it may be allowed to Pietro Belcampo to give counsel, then let me first
contemplate your excellency's head, in its proper length, breadth, and
circumference--your whole figure, too, your mien, your gait, your play
of gesture; then I shall be able finally to say whether you belong
properly to the antique or romantic, the heroic or pastoral, the
_grandios_ or _ordinaire_, the _naive_ or _satyric_, the humorous or
severe; then, accordingly, I shall call up the spirits of Caracalla, of
Titus, of Charlemagne, of _Henri Quatre_, of Gustave Adolph, of Virgil,
of Tasso, or Boccaccio!
"Inspired by them, the muscles of my fingers will vibrate and quiver,
and under the sonorous twittering of the scissars, will proceed the
masterpiece of art! I shall be the man, sir, who will perfect your
leading characteristic, as it should exhibit itself in real life. But
now, let me beg of you, sir, to step up and down through the room. I
shall meanwhile contemplate, remark, and record. Let me beg of you,
sir!"
Public-domain text, read in full here on John Shaqi.
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