The Devil's Elixir, Vol. 1 (of 2)Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Science
The Devil's Elixir, Vol. 1 (of 2)
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Devil -- Fiction; Fantasy fiction, German -- Translations into English; Gothic fiction; Monks -- Fiction
I must, of course, accommodate myself to the strange man, therefore did
as I was desired, walking up and down the room, endeavouring at the same
time to conceal, as much as I could, my inclination to the monastic
gait, which, however, it is almost impossible for one by whom it has
been thoroughly learned, even after many years, wholly to conquer.
The little man contemplated me with great attention, then began to trip
about the room. He sighed and shrugged, even panted and sobbed, then
drew out his handkerchief, and wiped the drops from his forehead; at
last he stood still, and I inquired "if he was yet resolved how he
should operate?" Then, with a deep sigh, he broke out--"Alas, sir! what
is the meaning of all this? You have not resigned yourself to your
natural character. There was constraint in every movement--a conflict of
contending principles. Yet, a few more steps, sir."
Hereupon I absolutely refused to set myself up for show any longer in
that manner, and told him plainly, that if he could not _now_ resolve
what to make of my hair, I must refuse altogether to have anything to do
with him or his art.
"Bury thyself, Pietro!" cried the little man, with great fervour; "go to
the grave, for in this world thou art wholly and utterly misunderstood.
Here is no confidence, no truth any more to be found!
"Yet, sir, you shall be compelled to acknowledge the depth of my
perceptions, and do honour to my genius. In vain did I labour to
amalgamate together all the contradictions and conflicts in your
character and gestures. In the latter there is something that directly
points at monachism. '_Ex profundis clamavi ad te, Domine. Oremus. Et in
omnia secula seculorum!_'"
With bitter scorn and mockery the man pronounced these words from the
Ritual, in a hoarse croaking voice, imitating, at the same time, to the
very life, the postures and gesture of a monk. He turned himself as if
before the altar, he kneeled, and rose again. At last he stopped, drew
himself up, and assumed a proud look of defiance, stared widely, and
cried, "MINE is the world! I am more wealthy, more wise, prudent, and
intelligent, than all of ye, ye blind moles! Bend, then, and kneel down
before me, in humble submission!
"Look you, sir, that which I have mentioned forms the chief attribute
and ingredient in your appearance; and, with your permission, I shall,
contemplating your features, your figure, and moods of mind, blend
together something of Caracalla, Abelard, and Boccaccio; and proceeding
on the idea thus gained, shall, like an inspired sculptor, begin the
glorious creation of antique, ethereal, classic locks and curls!"
Imperfect and ridiculous as the man's _expressions_ were, yet there was
so much home _truth_ in his remarks, that I judged it best to conceal
nothing from him; I therefore confessed that I had indeed been a monk,
and had received the _tonsure_, which, for certain reasons, I now wished
as much as possible to keep unobserved.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account