The Devil's Elixir, Vol. 1 (of 2)Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Science
The Devil's Elixir, Vol. 1 (of 2)
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Devil -- Fiction; Fantasy fiction, German -- Translations into English; Gothic fiction; Monks -- Fiction
But the most impressive of all days, to which for weeks preceding I
could not help looking forward with rapture, was that of the Festival
of St Bernard, which (he being the tutelary Saint of the Cistertians)
was celebrated at the convent with extraordinary grandeur. Even on the
day preceding, multitudes of people streamed out of the town, and from
the surrounding country. Encamping themselves on the beautiful level
meadows by which Kreuzberg is surrounded, day and night the lively
assemblage were in commotion. In the motley crowd were to be found
all varieties of people--devout pilgrims in foreign habits
singing anthems--peasant lads flirting with their well-dressed
mistresses--monks, who, with folded arms, in abstract contemplation,
gazed up to Heaven--and whole families of citizens, who comfortably
unpacked and enjoyed their well-stored baskets of provisions on the
grass. Mirthful catches, pious hymns, groans of the penitent, and
laughter of the merry, rejoicing, lamentation, jesting, and prayer,
sounded at once in a strange stupifying concert through the atmosphere.
If, however, the convent bell rung, then, far as the eye could reach,
the multitude were at once fallen on their knees. Confusion was at an
end, and only the hollow murmurs of prayer interrupted the solemn
stillness. When the last sounds of the bell had died away, then the
merry crowds, as before, streamed about on their varied occupations, and
of new the rejoicing, which for a few minutes had been interrupted, was
eagerly resumed.
On St Bernard's day, the Bishop himself, who resided in the neighbouring
town, officiated in divine service at the church of the convent. He was
attended by all the inferior clergy of his diocese; his _capelle_, or
choir, performed the music on a kind of temporary tribune, erected on
one side of the high altar, and adorned with rich and costly hangings.
Even now, the feelings which then vibrated through my bosom are not
decayed. When I think of that happy period, which only too soon past
away, they revive in all their youthful freshness. With especial
liveliness I can still remember the notes of a certain _Gloria_; which
composition being a great favourite with the Princess, was frequently
performed.
When the Bishop had intoned the first notes of this anthem, and the
powerful voices of the choir thundered after him, "_Gloria in excelsis
Deo_," did it not seem as if the painted clouds over the high altar
were rolled asunder, and as if by a divine miracle the cherubim and
seraphim came forward into life, moved, and spread abroad their powerful
wings, hovering up and down, and praising God with song and supernatural
music?
Public-domain text, read in full here on John Shaqi.
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