The Devil's Elixir, Vol. 1 (of 2)Hoffmann, E. T. A. (Ernst Theodor Amadeus)
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The Devil's Elixir, Vol. 1 (of 2)
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Devil -- Fiction; Fantasy fiction, German -- Translations into English; Gothic fiction; Monks -- Fiction
Meanwhile, the painter stood there steadfast, and immovably staring upon
me. The power which he thus (I know not how) exerted over my very mind
and thoughts--the whole train of consequences which the discovery he was
determined to force out would bring upon me--the wretched thraldom in
which I should remain at present, and the destruction which must
ensue--all these ideas conflicted together in my mind. But even without
their aid, the looks of the spectral painter alone were more than I
could endure. Methought his detestable features at length enlarged,
moved, and were writhen in mockery and scorn. At last, driven to the
uttermost paroxysm of rage and despair, I drew forth the stiletto with
which I had, in self-defence, killed Hermogen, and which I always
carried in my breast-pocket.
With this weapon in my hand, I now fell upon my enemy; but his quick eye
had caught every movement, and one blow of his powerful arm brought me
to the ground. Methought I heard him laugh aloud, in hideous and
scornful triumph, so that his voice resounded through the chamber.
"Brother Medardus!" said he, "Brother Medardus, play no longer this
false game! Go, return to the sanctuary of thy convent, and humble
thyself to the dust in shame and repentance!"
I now felt myself seized by the people in the room; and allowing them to
raise me up, pretended at first to be quite exhausted; then, all at
once, rousing my whole strength, I drove and struck like a raging wild
beast against my assailants; and this so unexpectedly, that several of
them fell to the ground, and I made myself a passage towards the door;
but had scarcely rushed into the corridor, when a small side door
opened, and I felt myself seized on by an invisible arm, by which I was
drawn into a dark chamber. To this I made no resistance, for the
multitude of pursuers were raging behind me.
Into this dark room I had been drawn just as I turned round a corner of
the corridor, and the mob of people, imagining that I had run onwards
and escaped down stairs, passed by the door and left me for the moment
unmolested. My invisible companion listened to their proceedings, and
in a few moments led me by the arm down a dark, private staircase, into
a back court, and then through the buildings behind into the open
street. By the light of the lamps I here recognised as my deliverer the
absurd Belcampo!
CHAPTER XX.
"Your excellency," said Belcampo, "appears to have laboured under a
strange fatality with regard to this painter. I was drinking my wine in
an adjoining room when the uproar began, and resolved, if possible, to
rescue you, for I alone am the author of all this disturbance."
"How can that be?" said I; "what share could you possibly have in the
disaster?"
"Who can resist momentary impulse?" said the little man, in a tone of
great pathos; "who can withstand the influences of that unseen, but
predominant Spirit, that rules over and inspires all our thoughts and
actions?
Public-domain text, read in full here on John Shaqi.
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