The Devil's Elixir, Vol. 2 (of 2)Hoffmann, E. T. A. (Ernst Theodor Amadeus)
General
The Devil's Elixir, Vol. 2 (of 2)
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Devil -- Fiction; Fantasy fiction, German -- Translations into English; Gothic fiction; Monks -- Fiction
"Thus the belief was firmly impressed on my mind, that my mother
every day held conversations with some frightful spectre, whom,
even to look upon, would, to any one else, be death. (As to
religious instructions, they were, of course, yet wholly beyond my
comprehension.) One day, after rambling through the castle, I was
horrified to find myself alone in the blue cabinet which had been
alluded to by Hermogen.
"I should instantly have taken refuge in flight, but my mother came
in with a deadly paleness on her countenance, and without observing
me, (for I stood in a corner,) in a deep melancholy tone, she
pronounced the name, 'Francesco--Francesco!' There was then a
strange rustling and rattling behind the oak pannels of the wall.
The boards began to move, and drew themselves asunder. I then saw a
full-length portrait, so admirably painted, that it had all the
animation of life, representing a man in a foreign dress, with a
dark violet-coloured mantle.
"The figure and expressive countenance of this unknown, made on me
an indescribable impression, which I never afterwards forgot. My
admiration was such that I could no longer be silent, but uttered
an exclamation of joy, which, for the first time, made my mother
aware of my presence. Her temper, which was generally mild and
equable, was now more ruffled than on any former occasion.--'What
would'st thou here, Aurelia?' said she, in an angry tone; 'who
brought thee hither?'--'They left me all alone,' cried I, bursting
into tears. 'I know not how I came hither, and had no wish to be
here!'
"Meanwhile the pannels were again put in motion, and the portrait
disappeared.--'Alas!' said I, 'the beautiful picture--Mother,
dearest mother, why is it gone?'--The Baroness lifted me up in her
arms, and caressed me.--'Thou art my dear good child,' said she;
'but no one must see that picture, nor speak of its having been
there. It is now gone, Aurelia, and will never come again!'
"Accordingly, as long as I remembered this warning, I intrusted to
no one what I had observed in the mysterious blue cabinet. Only to
Hermogen, I once said--'Dearest brother, it is not with the devil,
as you supposed, that our mother speaks, but with a young handsome
man. However, he is only a picture, and starts out of the wall when
she calls for him.'--'The devil,' answered Hermogen, with a fixed
serious look, 'may look as he will,--so says our father confessor.
But as to the Baroness, he dare no longer trouble her!'--Horror
seized on me at these words, and I begged of Hermogen, that he
never would speak of the devil again.
Public-domain text, read in full here on John Shaqi.
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