The Devil's Elixir, Vol. 2 (of 2)Hoffmann, E. T. A. (Ernst Theodor Amadeus)
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The Devil's Elixir, Vol. 2 (of 2)
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Devil -- Fiction; Fantasy fiction, German -- Translations into English; Gothic fiction; Monks -- Fiction
The day which the Prince had appointed for our marriage was at last
arrived; and the ceremony was to take place in the morning, at the altar
of St Rosalia, in the church of a neighbouring convent, which (I know
not for what reason) Aurelia preferred to the Prince's chapel. I passed
the preceding night in watching and prayer.--Alas! I did not reflect
that prayer under such circumstances, and cherishing such intentions in
my heart, was only adding by blasphemy to my previous guilt.
When I went to Aurelia, she came, dressed in white, and wearing roses as
her only ornament, to meet me. Never had she looked more beautiful; but
in the fashion of her dress, and in the flower wreaths that she had
chosen, there was something that inspired me with strange and mysterious
recollections, which I knew not how to define. At the same moment I
remembered that the painting over the altar, at which the marriage
ceremony was to take place, represented the martyrdom of St Rosalia, and
that the saint was there dressed precisely as Aurelia now appeared,
whereupon my whole frame was shaken with horrid and uncontrollable
apprehensions, which it was hardly in my power to conceal.
We had no time for conversation, however. Scarcely had I saluted
Aurelia, when a servant of the Prince announced that we were waited for
by the wedding-party. She quickly drew on her gloves, and gave me her
arm. Then one of her attendants remarked that some ringlets of her hair
had fallen loose, and begged for a moment's delay. Aurelia seemed vexed
at the interruption, but waited accordingly.
At that moment a hollow rumbling noise, and a tumult of voices on the
street, attracted our attention. At Aurelia's request I hastened to the
window. There, just before the palace, was a _leiter-wagen_, which, on
account of some obstacle, had stopped in the street. The car was
surrounded by the executioners of justice; and within it, I perceived
the horrible monk, who sat looking backwards, while before him was a
capuchin, earnestly engaged in prayer. His countenance was deadly pale,
and again disfigured by a grizzly beard, but the features of my
detestable _double_ were to me but too easily recognizable.
When the carriage, that had been for a short space interrupted by the
crowd, began to roll on, he seemed awoke from his reverie, and turning
up his staring spectral eyes towards me, instantly became animated. He
laughed and howled aloud--"_Brüd-er-lein_--_Brüd-er-lein!_" cried
he.--"Bride-groom!--Bride-groom!--Come quickly--come quickly.--Up--up to
the roof of the house. There the owl holds his wedding-feast; the
weather-cock sings aloud! There shall we contend together, and whoever
casts the other down, is king, and may drink blood!"
Public-domain text, read in full here on John Shaqi.
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