The Devil's picture-booksVan Rensselaer, John King, Mrs.
History
The Devil's picture-books
Van Rensselaer, John King, Mrs.
Playing cards -- History
“‘The paper being ready for use, we proceed to explain the printing of
the fronts of the cards, which are technically distinguished as _pips_
and _têtes_.
“‘To commence with the simpler, the pip (that is, the Hearts, Diamonds,
Spades, and Clubs), sets of blocks are produced, each containing forty
engravings of one card; and as the ordinary method of letterpress
printing is employed, forty impressions of one card are obtained at the
same moment. As the pips bear but one colour, black or red, they are
worked together at the hand-press or steam-printing machine.
“‘For the têtes, however (or court cards), which with the outline
contain five colours,—dark blue, light blue, black, red, and yellow,—a
somewhat different contrivance is employed. The colours are printed
separately, and are made to fit into each other with great nicety,
in the same manner as in printing silks or paper-hangings. For this
purpose a series of blocks are provided which if united would form the
figure intended to be produced. By printing successively from these
blocks, the different colours fall into their proper places until the
whole process is completed. After the printing is done the sheets are
carried into a drying-room heated to 80° Fahrenheit, and are allowed to
remain there three or four days, in order to fix the colours.’”
In France the card generally consists of two pieces of paper, but
in England a more substantial article is required. It is generally
four sheets thick,—that is, the foreside and the back, and two inside
layers of an inferior description. The pasting of these sheets together
requires care and clever manipulation. After the sheets are pasted
together, they are thoroughly dried, enamelled, and then cut into
cards which are sorted by being laid out on a table about two hundred
at a time, until all the cards that constitute a pack are spread out;
so that by this operation two hundred packs are completed almost
simultaneously. The best cards are called Moguls; the others, Harrys
and Highlanders.
Paper was almost a necessity in card-making; and England could not
have provided it when cards were first made there, as the art of
paper-making was unknown before the reign of Henry the Seventh, who
lived from 1485 to 1509. Even as late as the days of Queen Anne, paper
was imported from Germany for the purpose.
Many other materials have been used in manufacturing cards besides
paper. As has been mentioned, beautiful packs have been painted on
ivory or mother of pearl. Parchment and leather have been often used;
thin tablets of wood and large leaves have been pressed into service,
as well as stout paper which was neither card nor pasteboard. The
Chinese and Hindoos sometimes used a cotton paper so stout and smooth
as to make it most suitable for the purpose; and the curious wooden
sticks carved with distinguishing figures used by the Haida Indians
show perhaps the most peculiar materials used in the manufacture of
games.
Public-domain text, read in full here on John Shaqi.
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