The Devil's picture-booksVan Rensselaer, John King, Mrs.
History
The Devil's picture-books
Van Rensselaer, John King, Mrs.
Playing cards -- History
Many persons point to this pack as being the very one that was
designed by Étienne Vignoles, or, as he was usually called, La Hire, or
Chevalier, and declare that they are the oldest examples that bear the
symbols of Hearts, Diamonds, Clubs, and Spades. Going back to the names
borne by the card Kings, we fancy that we see that the one assumed
by his Majesty of Spades (Apollin) was derived from that borne by an
idol adored by the Saracens, which is mentioned in an epic poem of the
period; and Corsube was a knight of Cordue (Corsuba), who was glorified
by the romancers of that day. The names of the Queens and Knaves of
this pack are those of celebrated historical characters.
Another old pack which belongs without doubt to the reign of Louis the
Twelfth contains a King of Hearts named Charles, a King of Diamonds
Cæsar, one of Clubs Artus, and of Spades David; and in a later one
belonging to the commencement of the reign of Francis the First the
King of Clubs has become Alexander.
About the time of the battle of Pavia and the captivity of the French
King (Francis) in Spain and his marriage with the dowager Eleanor, the
influence of Spanish and also of Italian fashions shows itself in many
ways in the cards, and the names of the Kings are changed to Julius
Cæsar, Charles, Hector, and David.
Under the reign of Henry the Second the names bestowed upon the
cardboard sovereigns begin to resemble those borne by them in the
French pack of the present day. The King of Diamonds is Cæsar; of
Spades, David; and of Clubs, Alexander.
During the period when Henry the Third governed France the cards
became the reflectors of the extravagant fashions of that effeminate
reign. The Kings in card-land wore pointed beards, like the reigning
monarch; their collars, like his, were stiffly starched; they had hats
bearing long plumes, and their breeches were puffed out at the hips
in a most extraordinary way; while, as if to make the figure look as
slender and as womanly as possible, the doublet was pinched in at the
waist; and they had peculiar boots, which were then the mode.
Henry the Fourth mounted the throne of France, and the card Kings
immediately altered their costumes and their names, and reflected the
aspect of his court, and the names of the heroes of the day were given
to the gentlemen of the card circle.
The paper sovereigns generally mirrored the characteristics of the day;
and when the successors of Henry the Fourth mounted the throne the
change is at once shown in the cards, either by the names, the dresses,
the weapons, or by all these. At one time Italian fashions and customs,
imported by Marie de’ Medici, influenced them, and the names became
Carel, Capet, Melun, etc.; and they change with amusing rapidity after
her death.
Public-domain text, read in full here on John Shaqi.
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