After a quarter of an hour spent in mummery, and difficulties
raised in order to avoid cutting the roots, and to transplant the
cabbage without injury, while shovelfuls of dirt are tossed into
the faces of the onlookers,--so much the worse for him who does not
retreat in time, for were he bishop or prince he must receive the
baptism of earth,--the “infidel” pulls the rope, the “infidel’s
wife” holds her apron, and the cabbage falls majestically amidst
the applause of the spectators. Then a basket is brought, and
the “infidel” pair plant the cabbage therein with every care and
precaution. They surround it with fresh earth, and support it with
sticks and strings, such as city florists use for their splendid
potted camellias; they fix red apples to the points of the sticks,
and twist sprigs of thyme, sage, and laurel all about them; they
bedeck the whole with ribbons and streamers; they place the trophy
upon the stretcher with the “infidel,” whose duty it is to maintain
its equilibrium and preserve it from harm; and, at length, they
move away from the garden in good order and in marching step.
But when they are about to pass the gate, and again when they enter
the yard of the bridegroom’s house, an imaginary obstacle blocks
the way. The bearers of the burden stagger, utter loud cries,
retreat, advance once more, and, as though crushed by a resistless
force, they pretend to sink beneath its weight. While this is going
on, the bystanders shout loudly, exciting and steadying this human
team.
“Slowly, slowly, my child. There, there, courage! Look out! Be
patient! Lower your head; the door is too low! Close up; it’s too
narrow! A little more to the left; now to the right; on with you;
don’t be afraid; you’re almost there.”
Thus it is that in years of plentiful harvest, the ox-cart, loaded
to overflowing with hay or corn, is too broad or too high to enter
the barn door. Thus it is that the driver shouts at the strong
beasts, to restrain them or to urge them on; thus it is that with
skill and mighty efforts they force this mountain of riches beneath
the rustic arch of triumph. It is, above all, the last load,
called “the cart of sheaves,” which requires these precautions,
for this is a rural festival, and the last sheaf lifted from the
last furrow is placed on the top of the cart-load ornamented with
ribbons and flowers, while the foreheads of the oxen and the whip
of the driver are decorated also. The triumphant and toilsome entry
of the cabbage into the house is a symbol of the prosperity and
fruitfulness it represents.
Public-domain text, read in full here on John Shaqi.
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