The Diary of a French Private: War-Imprisonment, 1914-1915Riou, Gaston
History
The Diary of a French Private: War-Imprisonment, 1914-1915
Riou, Gaston
National characteristics, German; World War, 1914-1918 -- Prisoners and prisons
As a matter of fact, I have not entirely lost my time here, since I have
succeeded in classifying adequately in the social hierarchy such a man as
Baron von Stengel, who is neither hero nor genius, who has no ambition
to display supernatural virtues, but who is simply a man with pleasant
manners, refined, well-bred, free from all stiffness, easy to get on
with, a truly civilized being.
You, my friends, have spoiled me. It is owing to you that I had always
remained ignorant how restricted is the genus of “decent folk.” The
war has changed my views in this respect. Hardened, simplified, freer
in relation to external conditions, as adaptable as any one could
wish—when the campaign is over I shall be somewhat less confiding than
of yore towards my kind. Now that I sample them in the mass, elbowing
them unceasingly morning, noon, and night throughout the entire day of
twenty-four hours, listening to them as they talk, chatter, grumble,
quarrel, and snore, looking on at them while they enjoy themselves,
complain, play, eat, bargain, pull out the personal stop, pass judgments,
take things at their ease; now that I no longer contemplate them through
the prism of my doctrines and of my leniency, but look at them as
they really are, all the scenery of civil life removed, all social
trappings stripped off—there are certain categories of mind which I
understand better than before. I understand better, for example, hermits,
misanthropes, jansenists, and all pessimists, pagan as well as Christian,
all those who can see nothing in man but the primitive beast, and those
who never cease talking of original sin. How greatly now do I prize
good manners, the veneer of culture, the mask of decency. These are but
externals, things which do not give expression to man’s intimate nature.
They even aim at veiling that nature. But precisely because they exercise
this occlusive and embellishing function, they seem to me august. The
sight of the real arouses an appetite for fiction, creates a necessity
for art and for dreams. Are these lies? Yes, they are lies, poor lies!
What matter? Must we live in hell by deliberate choice? It cannot be
asserted that such illusions make a paradise of our ill-conditioned and
sordid world; but at least they mitigate the stench to some extent,
neutralize its offensiveness, and render the bestial hustle a thought
less aggressive.
My nose is still uneasy with the memory of the carrion odour from the
battlefields of Moncourt, Lagarde, and Kerprich. It was here that I
learned the value of shroud, coffin, quicklime, and tomb. Now that I have
come to know men better, I know also that the trifling restraints and
delicate veils of conventional good manners are absolutely essential.
THE SLOPES ARE FORBIDDEN
_November 20, 1914._
Public-domain text, read in full here on John Shaqi.
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