The Diary of a French Private: War-Imprisonment, 1914-1915Riou, Gaston
History
The Diary of a French Private: War-Imprisonment, 1914-1915
Riou, Gaston
National characteristics, German; World War, 1914-1918 -- Prisoners and prisons
Snow has been falling throughout the night. Risking a shot, for the new
orders from headquarters are still more stringent, I walked for a good
hour at dawn upon the northern ramparts. When the sun rose over the
village of Hepperg there was sketched in the opposite quarter, towards
France, in three strokes of the brush, the most striking of pastels:
in the foreground, the old gold of the oaks, flaming, sanguine, and
burnished: in the middle distance, the wide field of virgin snow; in the
background, the heavy and sombre line of the pines, interspersed with
larches, sparkling with hoar-frost.
Solitude amid inanimate things, in the morning, restores me to the
tranquil possession of myself, induces a peaceful, strong, and simple
happiness which neither the society of my fellows, nor meditation, nor
prayer can ever furnish. At one time this calm, as of Eden, used to
terrify me. It seemed to me impious. When, as a youth, I loitered among
the wild oak-groves which form scattered oases amid the limestone mazes
of Païolive in Vivarais, it seemed to me that their shade was stifling
my faith, that the seated giants of white stone, amid which the Ardèche
has hollowed its precipitous channel, were swallowing my Christian
dogmas, and that my Eliacin-like fervours were evaporating into the
torrid sky, passing upward with the furnace breath which rises in summer
from this formidable landscape.
Since then, however, I have learned to feel no doubt regarding the
primacy of man vis-à-vis the grandeur of inanimate things.
No, my delight in natural scenery is by no means pantheistic. I believe
too firmly in the hierarchy of creation, and I am too strongly imbued
with the Christian conception that man is a person, as it were a son of
God, an absolute individuality, inviolable, raised above life and death,
to be able to lose my sense of personal identity in the contemplation of
rocks, fields, and woodlands. It is simply that I love fresh air and open
spaces; I love the lineaments of nature, which are more beautiful than
the doings of men; I love the society of the meadows and of the trees, a
society which is less importunate and talkative than that of my fellows,
and which never fails to restore me to myself. Perhaps, moreover, I
tend instinctively to idolize colour and light, seeing that God has
concentrated in my eyes, above all, the power of sensuous appreciation.
Public-domain text, read in full here on John Shaqi.
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