Tesson came to see me just now, bringing his last piece of work, a great slab of stone depicting the entrance to Fort Orff. The whole kitchen staff formed up in circle round the masterpiece. “Well I’m blowed!” said Devèse. “That’s not been done with the point of a pickaxe,” remarked Deschênes by way of praise. I also expressed my admiration. Then the master drew from his pocket a book with clasps, cut in limestone. He had carved on it the title: _Les Mémoires de Victor Tesson, prisonnier de guerre, à sa méchante Louise Huber.—Dolomieu, Isère._ While I was praising the dedication, he showed me his tools, saying: “Here are my cold chisel and my piercer. I made them out of my bicycle pliers. Here’s my ruler; I ‘forged’ it out of the tyre of a wheelbarrow.”—“Is that all?”—“That’s all. I have no dividers; I measure with a straw.” Unquestionably the Frenchman is a very live animal. When I hear my fellow-prisoners applauding the artistes of No. 7, Lannessan, Grignon, Saint-Lanne, Bouquet, or the “artistes socialistes” of No. 38, the members of the audience splitting their sides with laughter at the satirical allusions and joining lustily in the choruses; when I go to No. 13 to visit Le Second, who receives me with the affected airs of a dandy as he ushers me into his domain of five feet square, incredibly elegant and quaint, fitted up à la Martine; when I contemplate the roguish gaiety of all these “Gavroches,” their indefatigable activity, the effervescence of their wit—I think of a Swiss friend of mine who is always saying, “These devils of Frenchmen!” I can even understand the stupefaction of that great barrel of a Max! One will never get the better of these fellows. One will never bend such bodies beneath the yoke of servitude. Without violence, by the simple play of their natural life, they would tame the most mulish of masters. The substance of which they are composed, ever radiating energy, is irreducible. It is evident that, by special privilege, they are born “free men.” Sovereign people! How right is Péguy when he says that their watchword is “Hope.” Misfortune befalls them; they seem overwhelmed. From disorganization they pass to grumbling and from grumbling to revolution. Come back to look at them to-morrow; you will find them valiant, dashing, light-hearted heroes recking no longer of yesterday. They laugh at their sufferings. They sing. They defy their gollywogs of gaolers. They combine to think out some new plan. They engage in some fresh piece of work. Merely to look at them renews the savour of life.