The Diary of a French Private: War-Imprisonment, 1914-1915Riou, Gaston
History
The Diary of a French Private: War-Imprisonment, 1914-1915
Riou, Gaston
National characteristics, German; World War, 1914-1918 -- Prisoners and prisons
“But are you not struck by the fact that during the last twenty years
it has been in Germany, above all, that your innovators have gained
appreciation; that many of them have had to secure their first celebrity
in the foreign world, before they were enabled to harvest in France the
fruits of a restricted glory, admired in their own homes solely by a
group of cosmopolitan epicures? Are you not astonished that such a man as
Van de Velde, who vegetated in Paris, should build palaces for our great
manufacturers; and that Maillol, the sculptor, a most typical Frenchman,
should find a place of honour in our museums while in France he is
still almost unknown? Is this neglect deliberate? Is it because you are
convinced that genius cannot flower to perfection until it has suffered,
that you provide this chill atmosphere for your best artists? Or is it
timidity, unwillingness to take risks, stupidity, provincialism? Whatever
the reason, the air of France is to-day less favourable to creation than
the air of Germany.
“In Germany there is an extensive public which lives upon the hope of a
new ‘culture.’ This public has nothing in common with the pangermanists.
It includes few generals and few leaders of the bureaucracy. But it
contains our best men of letters and some of our principal bourgeois,
in a word, the general staff of wealthy, liberal, and parliamentary
young Germany. There are some, like Stephan Georg, Wolfskehl, and Madame
Osthaus, in whom this hope assumes an ardent and mystical character,
becoming a true religion. While it is the fashion in Paris, at least so
we are assured, to be frankly reactionary,[6] here all the men and all
the women who wield the empire of mind are animated by a quasi-messianic
spirit. Is it possible that Nietzsche, with his idea of the revaluation
of values, has contributed to the spread of this spirit? I do not know.
We wait; we aspire; we hope. To us to-morrow is sacred. Every one is
striving towards forms of life and art which shall be more ample, more
truthful, more expressive, more beautiful. Every one is making ready to
welcome the wonderful butterfly which is to spring from this larval age.
It is with us a matter of faith that the men will come, that they are now
on the way, who can provide the artillery and the watchwords of the new
civilization.
Public-domain text, read in full here on John Shaqi.
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