The Diary of a French Private: War-Imprisonment, 1914-1915 — John Shaqi
The Diary of a French Private: War-Imprisonment, 1914-1915Riou, Gaston
History
The Diary of a French Private: War-Imprisonment, 1914-1915
Riou, Gaston
National characteristics, German; World War, 1914-1918 -- Prisoners and prisons
This _Feldwebel_ was a tall, ruddy young man, trim of figure, gentle and
shy. His name, he told me, was Conrad Kilian, and he was a schoolmaster
from Upper Franconia. He stationed me at the rear of the column, beside
himself, to act as interpreter. He was greatly concerned about those of
my comrades who were too obviously exhausted. “How on earth will they be
able to walk uphill for ten kilometres?” This impotent kindness of heart
was touching. The setting sun cast its rosy light over the Danube and the
ancient city, bristling with church spires and surrounded by Gothic walls
with massive towers. We passed through it under a deluge of cries of
“Death!” And what a litany of _kaputs_![11] “Paris _kaput_! Manonviller
_kaput_! Verdun _kaput_!” One might have imagined that the whole world
was _kaput_! The gentler-minded among the townsfolk flashed electric
torches in our faces, saying modestly: “You know that our armies are but
a few leagues from Paris?” The better educated regaled us with French.
“La foilà,” they said mockingly, “la grande nation!” People streamed out
of the public-houses as we went by. On the threshold the calm and paunchy
drinkers waved their mugs and vented their guffaws. The whole city was
agog beneath the great royal and imperial standards. It was really
ludicrous, all this fuss about fifty field hospital orderlies.
It was quite clear that the German nation was the martyr of Europe. “As
for us,” said my friend the _Feldwebel_, “our conscience is quite at
ease!” Yes, we, the French, were the aggressors; we were the _apaches_
who had come furtively (_sicut fur in nocte_) to disturb the dignified
repose of these excellent people, full of humanity, thoughtful and
gentle! It was unquestionably the anger of an offended conscience, the
holy joy of justice at length avenged, which found expression in this
tumult. How easy it is to distort facts, to cook public opinion! I looked
on and listened with greater interest than at the most exciting of plays.
From the casements, graceful beneath their Gothic gables and bright with
window-gardens, imprecations rained down on us. And the gestures of the
silhouetted figures standing in the front of these lighted interiors
sufficed to show those among us who could not understand Swabian the
significance of the volleys of homeric abuse.
Public-domain text, read in full here on John Shaqi.
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