The diary of a Russian lady : $b reminiscences of Barbara Doukhovskoy (née princesse Galitzine)Dukhovskaia, Varvara
General
The diary of a Russian lady : $b reminiscences of Barbara Doukhovskoy (née princesse Galitzine)
Dukhovskaia, Varvara
Russia -- Social life and customs; Voyages and travels
On the following day we took the boat to Lido, a fashionable
sea-bathing-place, and returned to Venice just in time for the table
d’hôte. There was a great festival at night on the Canale Grande; all the
gondolas of Venice were on the water, lighted with coloured lanterns.
On the broadest part of the Canal they were tied one to the other thus
forming a large floating bridge, on the middle of which a group of
street-singers were giving a serenade. Our gondolier, at our request,
shouted out in a stentorian voice: _Funiculi, funicula_, and the singers
performed with great emphasis that popular song, after which they crossed
over from one gondola to the other, holding out their hats which were
soon amply filled. We gave all the change we had in our pockets.
We only remained two days at Venice, having had quite enough of that
aquatic town which does not suit my vivacious temperament.
CHAPTER XXXIII
FLORENCE
Leaving Venice at ten o’clock in the morning, we arrived towards night at
Florence, and took an apartment at the Hotel de Russie, with a ceiling
ornamented with flying nymphs in a blue sky all over, and an enormous
bedstead on the top of which was placed a gigantic wreath of laurel. In
my opinion, to sleep under it is an honour which few people deserve on
earth.
The next day we went to the Pitti Galleries, to see the Exhibition of
old Masters. This museum was formerly maintained by the monks, and the
pictures were taken in preference from Scripture subjects, but at present
the nude mythological element predominates. In the sculpture section we
met a group of curates who were all in a state of sanctimonious adoration
before the marble Venus. I could hardly keep from laughing at the sight
of these tonsured admirers of art, whose expression of the face, for the
moment, could easily serve for a picture representing the temptation of
St. Antony. At the entrance of the Medici Chapel, an old curate impeded
the passage of the turnstile, searching for his hat, which was hanging by
the elastic on his back. Surely the venerable pater had also contemplated
rather too much of the marble goddess.
After the Pitti Galleries, we were shown the Palace, maintained by the
town, in which King Humbert is received in great ceremony, as a guest,
when he comes to Florence. A carriage road leads to each floor separately
replacing the elevator. The King was expected in a few days, and a legion
of servants were cleaning the hangings and polishing the furniture whilst
we went through the Palace.
On our way back we were driven in the “cascine,” landaus, victorias, and
open cabs of every variety, all filled with animated people, streamed
along the wide road. We met in the park the famous American millionaire
perched high upon the seat of his phaeton, who drives every afternoon in
the “Cascine” a team of twelve horses, one pair in front of the other.
Public-domain text, read in full here on John Shaqi.
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