The diary of a superfluous man, and other storiesTurgenev, Ivan Sergeevich
General
The diary of a superfluous man, and other stories
Turgenev, Ivan Sergeevich
Russia -- Social life and customs -- Fiction; Turgenev, Ivan Sergeevich, 1818-1883 -- Translations into English
Still another year elapsed. I transferred my residence to Petersburg.
Winter arrived; the masquerades began. One day, as I emerged at eleven
o'clock at night from the house of a friend, I felt myself in such a
gloomy frame of mind that I decided to betake myself to the masquerade
in the Assembly of the Nobility.[22] For a long time I roamed about
among the columns and past the mirrors with a discreetly-fatalistic
expression on my countenance--with that expression which, so far as I
have observed, makes its appearance in such cases on the faces of the
most well-bred persons--why, the Lord only knows. For a long time I
roamed about, now and then parrying with a jest the advances of divers
shrill dominoes with suspicious lace and soiled gloves, and still more
rarely addressing them. For a long time I surrendered my ears to the
blare of the trumpets and the whining of the violins; at last, being
pretty well bored, I was on the point of going home .... and .... and
remained. I caught sight of a woman in a black domino, leaning against a
column,--and no sooner had I caught sight of her than I stopped short,
stepped up to her, and ... will the reader believe me?.... immediately
recognised in her my Unknown. How I recognised her: whether by the
glance which she abstractedly cast upon me through the oblong aperture
in her mask, or by the wonderful outlines of her shoulders and arms, or
by the peculiarly feminine stateliness of her whole form, or, in
conclusion, by some secret voice which suddenly spoke in me,--I cannot
say .... only, recognise her I did. With a quiver in my heart, I walked
past her several times. She did not stir; in her attitude there was
something so hopelessly sorrowful that, as I gazed at her, I
involuntarily recalled two lines of a Spanish romance:
Soy un cuadro de tristeza,
Arrimado a la pared.[23]
I stepped behind the column against which she was leaning, and bending
my head down to her very ear, enunciated softly:
"_Passa quei colli._"...
She began to tremble all over, and turned swiftly round to me. Our eyes
met at very short range, and I was able to observe how fright had
dilated her pupils. Feebly extending one hand in perplexity, she gazed
at me.
"On May 6, 184*, in Sorrento, at ten o'clock in the evening, in della
Croce Street,"--I said in a deliberate voice, without taking my eyes
from her; "afterward, in Russia, in the *** Government, in the hamlet of
Mikhaílovskoe, on June 22, 184*."....
I said all this in French. She recoiled a little, scanned me from head
to foot with a look of amazement, and whispering, "_Venez_," swiftly
left the room. I followed her.
We walked on in silence. It is beyond my power to express what I felt as
I walked side by side with her. It was as though a very beautiful dream
had suddenly become reality ... as though the statue of Galatea had
descended as a living woman from its pedestal in the sight of the
swooning Pygmalion.... I could not believe it, I could hardly breathe.
Public-domain text, read in full here on John Shaqi.
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