The Die Varieties of the Nesbitt Series of United States Envelopes — John Shaqi
The Die Varieties of the Nesbitt Series of United States EnvelopesBerthold, Victor Maximilian
History
The Die Varieties of the Nesbitt Series of United States Envelopes
Berthold, Victor Maximilian
Postage stamps -- United States
This die appeared in March, 1854, and remained in existence until
October, 1860. On account of its six years of constant use, it was not
strange that the die should need repairing and retouching.
Nevertheless, while admitting the necessity of repairs, this does not
account in any way for the fact that we have thirty distinctly
different dies in this series, many of which cannot be explained by the
above theory. Of course, the various curves of the labels may be
accounted for by repeated retouching, but no one who compares many of
these dies would attempt to give the same reason for the totally
different lettering and the great variety in the spacing. As a matter
of fact, most of the so-called varieties are far more distinct dies
than some of the well-known Reays and Plimptons of equal denominations.
In spite of the great number of varieties of this issue, the engraver
has seen fit to use but one head of Washington, which is totally
different from any of those preceding.
HEAD XV.
[Illustration: XV.]
Two fine, very short side-locks, reaching to the middle of the
ear-lobe, which is rather large. There are seven very thin locks of
hair, almost hair lines, in the upper part of the head, extending to
the back of the head, each with a curve in the centre. Below these
there is a short, thick bunch, or lock, bent upwards into the space
left by the curve of the seventh thin lock. There is one short, thick
front-lock and three in the back row, side by side, nearly at right
angles to the bunch of hair which is bent upwards. The lowest
front-lock slants a considerable distance across the ear, while the
lock immediately above it is much longer and reaches into the queue.
The latter is very thin and shows no subdivisions.
Doubtless the thirty varieties of this die would have been highly
prized by collectors and would have been well known many years ago if
American philatelists had taken the trouble to study them with a view
to systematic classification. Certainly, without a system the
collector's task is troublesome, but, with a proper classification, the
difficulty vanishes and what has hitherto been considered an annoyance
becomes a pleasurable pursuit. This issue greatly favors the collector
of cut square specimens, for a good many dies can easily be found. On
the contrary, the collector of entires, especially the advanced
collector who desires mint copies, will find it difficult to get unused
specimens of many dies.
The paper used is white and buff, and, as mentioned before, both the
quality and color differ widely. For instance: "Buff" covers shades
which would be called at the present time light chocolate, brown,
oriental buff, light yellow, etc. A great many envelopes are of soft
paper, nearly unsurfaced, while there are numerous others having a
hard, brittle texture, highly surfaced or glazed. Often six shades may
be obtained, and they are certainly worthy of being collected with
care.
Public-domain text, read in full here on John Shaqi.
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