Men -- Societies and clubs -- Fiction; Storytelling -- Fiction
“‘Maybe,’ he answered doggedly. ‘But I’m a Highlander, and—I would not
care to hear that tune.’
“I could see Jack was impressed; as a matter of fact I was myself—more
than I cared to admit. Sounds rot here, I know, but out there, with the
dim-lit forest around one, it was different.
“McAndrew was stopping with us that night. Jack, with the stubbornness
of the young, had flatly refused to change his room, and turned in
early, while Mac and I sat up talking. And it was not till we went to
bed ourselves that I again alluded to the whistle.
“‘You don’t really think it meant anything, Mac, do you?’ I asked him,
and he shrugged his shoulders.
“‘Maybe it is just a native who has heard it,’ he said guardedly, and
further than that he refused to commit himself.
“I suppose it was about two o’clock when I was awakened by a hand being
thrust through my mosquito curtains.
“‘Walton, come at once!’ It was McAndrew’s voice, and it was shaking.
‘There’s devil’s work going on, I tell you—devil’s work.’
“I was up in a flash, and together we crept along the passage towards
Jack’s room. Almost instinctively I’d picked up a gun, and I held it
ready as we paused by the door.
“‘Do you hear it?’ whispered Mac a little fearfully, and I nodded. Sweet
and clear the notes rose and fell, on and on and on in the same cadence.
Sometimes the whistler seemed to be far away, at others almost in the
room.
“‘It’s the tune,’ muttered McAndrew, as we tiptoed towards the bed. ‘The
Pipes of Death. Are ye awake, boy?’
“And then he gave a little cry and gripped my arm.
“‘In God’s name,’ he whispered, ‘what’s that on the pillow beside his
head?’
“For a while in the dim light I couldn’t make out. There was something
big and black and motionless on the white pillow, and I crept nearer to
see what it was. And then suddenly seemed to stand still. I saw two
beady, unwinking eyes staring at Jack’s face close by; I saw Jack’s eyes
wide open and sick with terror, staring at the thing which shared his
bed. And still the music went on outside.
“‘What is it?’ I muttered through dry lips.
“‘Give me your gun, man,’ whispered McAndrew hoarsely. ‘If the pipes
stop, the boy’s doomed.’
“Slowly he raised the gun an inch at a time, pushing the muzzle forward
with infinite care towards the malignant, glowing eyes, until at last
the gun was almost touching its head. And at that moment the music died
away and stopped altogether. I had the momentary glimpse of two black
feelers shooting out towards Jack’s face—then came the crack of the
gun. And with a little sob Jack rolled out of bed and lay on the floor
half-fainting, while the black mass on the pillow writhed and writhed
and then grew still.
“We struck a light, and stared at what was left of the thing in silence.
And it was Jack who spoke first.
Public-domain text, read in full here on John Shaqi.
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