“No, mademoiselle,” I replied with a _brusquerie_ which must have
wounded her, for her voice trembled as she said:
“Then some one has done something to you? You are not as you usually
are.”
“No one has done anything to me,” I answered, shaking my head; “but
it is true,” I added, “that I have reasons for being sad, very sad,
to-day. It is the anniversary of a great grief, which I cannot tell
you.”
She looked at me again, and I could follow in her eyes the movements
which agitated her, as one follows the movements of a watch through a
glass case. I had seen her so uneasy at my attitude that she lost her
feeling for the divine landscape. I saw her now, comforted that I had
no cause for grief against her, but touched by my melancholy, curious
to know the cause, and not daring to ask me. She only said:
“Pardon me for questioning you.” Then she was silent.
These few minutes sufficed to show me the place which I already
occupied in her thoughts. Ah! before the proof of this delicate and
noble interest, I should have been ashamed of my falsehood, for so it
was, this _soi-disant_ recollection of a great grief--a gratuitous
and instantaneous falsehood whose sudden invention has often astonished
myself.
Why had I suddenly thought to clothe myself in the poetry of a great
grief, I whose life, since the death of my father, had been so quiet,
so free from any sacrifices? Had I yielded to the innate taste for
duplicating myself always so strong? This romantic affectation, did it
show the hysteria of vanity which urges some children to lie, without
reason and with so much unexpectedness? Did a vague intuition cause me
to see in this play of deception and melancholy the surest means of
interesting the Count’s sister?
I cannot tell the precise motives which governed me at that moment.
Assuredly I did not foresee either the effect of my assumed sadness
or of my falsehood, but I remember that as soon as the effect was
known a resolution was formed in my mind to go on to the end and
see what impression I could produce on the soul of this young girl,
by continuing, with consciousness and calculation, the comedy
half-instinctively begun in this luminous afternoon of January in
presence of a magnificent landscape, which should have served as a
frame for other dreams.
Now that the irreparable is accomplished, and by a retrospective
penetration, horribly painful--for it convicts me of ignorance and of
cruelty--I understand that I had already inspired Charlotte with the
truest and the tenderest feelings. All the diplomatic psychology which
I employed was only the odious and ridiculous work of a scholar in the
science of the heart. I understand that I did not know how to inhale
the flowers which bloomed naturally for me in this soul. I had only to
let myself know and enjoy the emotions which presented themselves, to
live a sentimental life as exalted and extended as that of my intellect.
Public-domain text, read in full here on John Shaqi.
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