own taken from various sources.[32] We learn from this work that, on his way from Ispahan to the coast, in 1638, Mandelslo came to a large village called Meshid Maderre Soliman, which, he said, derived its name from a tomb half a mile distant. It was explained to him by the Carmelites of Shiraz that no doubt it was the resting place of the mother of the great Shah Solimans, though the popular opinion in the neighbourhood was that it was the tomb of Solomon himself. He gives an excellent description of the chapel of white marble resting upon successive tiers of square blocks of hewn stone; and adds that in his day there might still be seen within the chapel strange letters in unknown characters engraved upon the walls. These, however, were afterwards ascertained to be merely verses from the Koran, written in Arabic. He has given a drawing of it, which conveys a fair impression of its appearance, and is curious as the earliest known representation of the tomb of Cyrus. Continuing to the south, he reached Persepolis. He heard many fabulous accounts of its origin, some ascribing it to Tzemschied Padschach, others to Solomon, and some even to Darius; but his informants were clear that it had been destroyed by ‘Iskander as they call Alexander.’ The ascent is made by four stairs with ninety-five marble steps. On reaching the summit he found the remains of four walls, apparently designed for gates. On the two first were horses carved in stone, with curious head-stalls and saddles. On the other two the horses have lion heads and are adorned with crowns and wings. He also, like Herbert, entirely omits to mention the sculptured stairs, and passes direct from the gates to the describe the columns. He found nineteen standing, and eleven others partly ruined, but no doubt the original number was forty. He could not decide whether the building had been roofed. Passing on, a slight ascent brought him to two moderate-sized chambers, of which the door and window posts remained as well as the walls, the latter remarkable for their beautiful shining marble. On the sides of the doors he observed figures larger than life, some sitting and others standing. They wore long beards and their hair descended to the shoulder, while their robes extended to the feet. Not far distant are other chambers, but of these nothing remains except the door and window frames. ‘Not far from these rooms,’ he continues, ‘is a square column in which is a polished stone, some say of jasper, in which are engraved singular characters or writing, which no one can read. They seem as if they had been inlaid with gold.’ The rest of the platform is beautiful and level, and measures about 300 by 200 paces. Mandelslo has illustrated his description by an engraving that scarcely does justice to the text. After the statement that the platform was reached by four stairs, we were not prepared to find in the illustration a single row of steps leading straight up at right angles.