The discovery and decipherment of the trilingual cuneiform inscriptions — John Shaqi
The discovery and decipherment of the trilingual cuneiform inscriptionsBooth, Arthur John
History
The discovery and decipherment of the trilingual cuneiform inscriptions
Booth, Arthur John
Achaemenian inscriptions; Cuneiform inscriptions
had been devoted to their study that the riddle was successfully solved.
At length the sound of each letter was fully established, and the words
they combined to form were found to belong to a language, akin to Zend,
to which the name of Old Persian is now given. From its analogy to
Zend and Pehlevi it was a comparatively easy task to assign correct or
approximately correct meanings to the words, and to arrive at the sense
of the short sentences that occur on the monuments. The first stage in
the progress of decipherment was reached in 1845, when Professor Lassen
of Bonn published a tentative but fairly correct translation of the
whole of the inscriptions then accessible, belonging to the first or
Persian column. This success was no doubt a matter of great interest to
the philologist; but the inscriptions themselves were found to be almost
wholly wanting in historical importance. They were nearly all taken
from buildings at Persepolis or elsewhere, and they simply commemorated
their erection by Darius or by Xerxes or by Artaxerxes Ochus. They are
uniformly conceived in the same set form of words, from which at the
most some deductions might be drawn as to the relations existing between
the Persian and his god Ormuzd. Two of them indeed were varied by a list
of the provinces included in the Empire. It is true the inscription at
Behistun was not included in this collection; but even it adds little of
importance except with reference to the revolt of the Magian impostor.
The publication of this inscription by Major Rawlinson, in 1846, marks
the successful termination of the task of deciphering the first column,
and a complete mastery over the Old Persian language had then been
obtained.
Public-domain text, read in full here on John Shaqi.
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