The discovery and decipherment of the trilingual cuneiform inscriptionsBooth, Arthur John
History
The discovery and decipherment of the trilingual cuneiform inscriptions
Booth, Arthur John
Achaemenian inscriptions; Cuneiform inscriptions
Chardin noted many inscriptions among the ruins, sometimes even upon
the robes of the figures.[60] He observes that the strange characters
are sometimes three inches in height, and there can be no doubt that
some of them, especially the capitals, were gilt. This was in fact the
opinion of several of the early travellers, such as Mandelslo and Daulier
Deslandes; while Herbert saw gilding on the bas-reliefs themselves.
The writing is composed of only two kinds of characters: one resembles
an oblique triangle, the other a pyramid. The first has ‘la pointe ou
angulaire, ou en bas ou en travers.’ The second may assume six postures:
‘when perpendicular, the pointed end may be either top or bottom; when
horizontal, either to left or right; when diagonal, it may point either
way.’ It may be read not only from left to right, but also from top to
bottom like Chinese. Some consider the writing is purely hieroglyphical,
but Chardin thinks it is a true writing like our own—but it will be
impossible ever to tell whether it has vowels, or anything else about
it. In order to illustrate his opinion concerning the various directions
in which the characters might be read, he made a copy of the inscription
that runs round the window of the Palace of Darius. This is the first
complete inscription ever copied, and unfortunately it contributed much
to impede the progress of decipherment.[61] Although consisting of only
one line, it is in three different scripts, and its inspection served at
once to confirm the opinion of Chardin that the wedges might be turned
in any direction—for to the left of the window we see the thick end of
the wedge at the bottom; on the right of the window it is in the reverse
position; while on the top it is turned to the left. It was long before
it was discovered that this inscription was to be read, like the legend
running round a coin—the line to the left being written running up; and
the line to the right running down; so that in reality the wedge always
preserves the same direction.
He visited Naksh-i-Rustam, and was the first to give an account of the
Inscriptions on the second tomb. The one above consists, he says, of
fifteen lines; the other near the cornice and the door is shorter. He
induced his valet, by an offer of three crowns, to explore the interior,
and he was probably the first European who ever accomplished the task. He
was encountered at the narrow entrance by an immense flight of pigeons,
at first mistaken for demons, who were terrified by his intrusion and
hastened to make their escape. He reported that the cave measured forty
paces in a straight line from the entrance and thirty on either side.
Facing the entrance he noticed the lids of three sarcophagi upon the
ground, and to right and left were four tombs each six feet long.[62]
Public-domain text, read in full here on John Shaqi.
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