The dinner was gay, but a little pathetic. Neatness, rather than the
gloss of novelty (though other gloss there was), characterised the
garments of the men. The toilettes of the women were modest; that amount
of praise (and it is a good deal) they deserved. A young lady, Miss
Maskelyne, an amber-hued beauty, who practically lived as a female jester
at the houses of the great, shone resplendent, indeed, but magnificence
of apparel was demanded by her profession.
'I am _so_ tired of it,' she said to Merton. 'Fancy being more and more
anxious for country house invitations. Fancy an artist's feelings, when
she knows she has not been a success. And then when the woman of the
house detests you! She often does. And when they ask you to give your
imitation of So-and-so, and forget that his niece is in the room! Do you
know what they would have called people like me a hundred years ago? Toad-
eaters! There is one of us in an old novel I read a bit of once. She
goes about, an old maid, to houses. Once she arrived in a snow storm and
a hearse. Am I to come to that? I keep learning new drawing-room
tricks. And when you fall ill, as I did at Eckford, and you can't leave,
and you think they are tired to death of you! Oh, it is I who am tired,
and time passes, and one grows old. I am a hag!'
Merton said 'what he ought to have said,' and what, indeed, was true. He
was afraid she would tell him what she owed her dress-makers. Therefore
he steered the talk round to sport, then to the Highlands, then to
Knoydart, then to Alastair Macdonald of Craigiecorrichan, and then Merton
knew, by a tone in the voice, a drop of the eyelashes, that Miss
Maskelyne was--vaccinated. Prophylactic measures had been taken: this
agent ran no risk of infection. There was Alastair.
Merton turned to Miss Willoughby, on his left. She was tall, dark,
handsome, but a little faded, and not plump: few of the faces round the
table were plump and well liking. Miss Willoughby, in fact, dwelt in one
room, in Bloomsbury, and dined on cocoa and bread and butter. These were
for her the rewards of the Higher Education. She lived by copying
crabbed manuscripts.
'Do you ever go up to Oxford now?' said Merton.
'Not often. Sometimes a St. Ursula girl gets a room in the town for me.
I have coached two or three of them at little reading parties. It gets
one out of town in autumn: Bloomsbury in August is not very fresh. And
at Oxford one can "tout," or "cadge," for a little work. But there are
so many of us.'
'What are you busy with just now?'
'Vatican transcripts at the Record Office.'
'Any exciting secrets?'
'Oh no, only how much the priests here paid to Rome for their promotions.
Secrets then perhaps: not thrilling now.'
'No schemes to poison people?'
'Not yet: no plots for novels, and oh, such long-winded pontifical Latin,
and such awful crabbed hands.'
'It does not seem to lead to much?'
'To nothing, in no way. But one is glad to get anything.'
Public-domain text, read in full here on John Shaqi.
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