The Disowned — CompleteLytton, Edward Bulwer Lytton, Baron
General
The Disowned — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
All these particulars having been duly deposited in the mind of
Mr. Brown, they produced an immediate desire to call upon the young
gentleman, who, to say nothing of his being so very nearly related to
his old customer, Mrs. Minden, was always so very great a favourite with
him, Mr. Brown.
Accordingly, as Clarence was musing over his approaching departure,
which was now very shortly to take place, he was somewhat startled by
the apparition of Mr. Brown--“Charming day, sir,--charming day,” said
the friend of Mrs. Minden,--“just called in to congratulate you. I have
a few articles, sir, to present you with,--quite rarities, I assure
you,--quite presents, I may say. I picked them up at a sale of the late
Lady Waddilove’s most valuable effects. They are just the things, sir,
for a gentleman going on a foreign mission. A most curious ivory
chest, with an Indian padlock, to hold confidential letters,--belonged
formerly, sir, to the Great Mogul; and a beautiful diamond snuff-box,
sir, with a picture of Louis XIV. on it, prodigiously fine, and will
look so loyal too: and, sir, if you have any old aunts in the country,
to send a farewell present to, I have some charming fine cambric, a
superb Dresden tea set, and a lovely little ‘ape,’ stuffed by the late
Lady W. herself.”
“My good sir,” began Clarence.
“Oh, no thanks, sir,--none at all,--too happy to serve a relation of
Mrs. Minden,--always proud to keep up family connections. You will be
at home to-morrow, sir, at eleven; I will look in; your most humble
servant, Mr. Linden.” And almost upsetting Talbot, who had just entered,
Mr. Brown bowed himself out.
CHAPTER XXII.
He talked with open heart and tongue,
Affectionate and true;
A pair of friends, though I was young
And Matthew seventy-two.--WORDSWORTH.
Meanwhile the young artist proceeded rapidly with his picture. Devoured
by his enthusiasm, and utterly engrossed by the sanguine anticipation
of a fame which appeared to him already won, he allowed himself no
momentary interval of relaxation; his food was eaten by starts, and
without stirring from his easel; his sleep was brief and broken by
feverish dreams; he no longer roved with Clarence, when the evening
threw her shade over his labours; all air and exercise he utterly
relinquished; shut up in his narrow chamber, he passed the hours in a
fervid and passionate self-commune, which, even in suspense from his
work, riveted his thoughts the closer to its object. All companionship,
all intrusion, he bore with irritability and impatience. Even Clarence
found himself excluded from the presence of his friend; even his nearest
relation, who doted on the very ground which he hallowed with his
footstep, was banished from the haunted sanctuary of the painter; from
the most placid of human beings, Warner seemed to have grown the most
morose.
Public-domain text, read in full here on John Shaqi.
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