The Disowned — CompleteLytton, Edward Bulwer Lytton, Baron
General
The Disowned — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
Want of rest, abstinence from food, the impatience of the strained
spirit and jaded nerves, all contributed to waste the health while they
excited the genius of the artist. A crimson spot, never before seen
there, burned in the centre of his pale cheek; his eye glowed with a
brilliant but unnatural fire; his features grew sharp and attenuated;
his bones worked from his whitening and transparent skin; and the soul
and frame, turned from their proper and kindly union, seemed contesting,
with fierce struggles, which should obtain the mastery and the triumph.
But neither his new prospects nor the coldness of his friend diverted
the warm heart of Clarence from meditating how he could most effectually
serve the artist before he departed from the country, It was a peculiar
object of desire to Warner that the most celebrated painter of the day,
who was on terms of intimacy with Talbot, and who with the benevolence
of real superiority was known to take a keen interest in the success
of more youthful and inexperienced genius,--it was a peculiar object of
desire to Warner, that Sir Joshua Reynolds should see his picture before
it was completed; and Clarence, aware of this wish, easily obtained from
Talbot a promise that it should be effected. That was the least service
of his zeal touched by the earnestness of Linden’s friendship, anxious
to oblige in any way his preserver, and well pleased himself to be the
patron of merit, Talbot readily engaged to obtain for Warner whatever
the attention and favour of high rank or literary distinction could
bestow. “As for his picture,” said Talbot (when, the evening before
Clarence’s departure, the latter was renewing the subject), “I shall
myself become the purchaser, and at a price which will enable our friend
to afford leisure and study for the completion of his next attempt; but
even at the risk of offending your friendship, and disappointing your
expectations, I will frankly tell you that I think Warner overrates,
perhaps not his talents, but his powers; not his ability for doing
something great hereafter, but his capacity of doing it at present. In
the pride of his heart, he has shown me many of his designs, and I am
somewhat of a judge: they want experience, cultivation, taste, and,
above all, a deeper study of the Italian masters. They all have the
defects of a feverish colouring, an ambitious desire of effect, a
wavering and imperfect outline, an ostentatious and unnatural strength
of light and shadow; they show, it is true, a genius of no ordinary
stamp, but one ill regulated, inexperienced, and utterly left to its own
suggestions for a model. However, I am glad he wishes for the opinion
of one necessarily the best judge: let him bring the picture here by
Thursday; on that day my friend has promised to visit me; and now let us
talk of you and your departure.”
Public-domain text, read in full here on John Shaqi.
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