As Clarence clasped his benefactor’s hand, the tears gushed from his eyes. Is there one being, stubborn as the rock to misfortune, whom kindness does not affect? For my part, kindness seems to me to come with a double grace and tenderness from the old; it seems in them the hoarded and long purified benevolence of years; as if it had survived and conquered the baseness and selfishness of the ordeal it had passed; as if the winds, which had broken the form, had swept in vain across the heart, and the frosts which had chilled the blood and whitened the thin locks had possessed no power over the warm tide of the affections. It is the triumph of nature over art; it is the voice of the angel which is yet within us. Nor is this all: the tenderness of age is twice blessed,--blessed in its trophies over the obduracy of encrusting and withering years, blessed because it is tinged with the sanctity of the grave; because it tells us that the heart will blossom even upon the precincts of the tomb, and flatters us with the inviolacy and immortality of love. CHAPTER XXIII. Cannot I create, Cannot I form, cannot I fashion forth Another world, another universe?--KEATS. The next morning Clarence, in his way out of town, directed his carriage (the last and not the least acceptable present from Talbot) to stop at Warner’s door. Although it was scarcely sunrise, the aged grandmother of the artist was stirring, and opened the door to the early visitor. Clarence passed her with a brief salutation, hurried up the narrow stairs, and found himself in the artist’s chamber. The windows were closed, and the air of the room was confined and hot. A few books, chiefly of history and poetry, stood in confused disorder upon some shelves opposite the window. Upon a table beneath them lay a flute, once the cherished recreation of the young painter, but now long neglected and disused; and, placed exactly opposite to Warner, so that his eyes might open upon his work, was the high-prized and already more than half-finished picture. Clarence bent over the bed; the cheek of the artist rested upon his arm in an attitude unconsciously picturesque; the other arm was tossed over the coverlet, and Clarence was shocked to see how emaciated it had become. But ever and anon the lips of the sleeper moved restlessly, and words, low and inarticulate, broke out. Sometimes he started abruptly, and a bright but evanescent flush darted over his faded and hollow cheek; and once the fingers of the thin hand which lay upon the bed expanded and suddenly closed in a firm and almost painful grasp; it was then that for the first time the words of the artist became distinct.