The Disowned — CompleteLytton, Edward Bulwer Lytton, Baron
General
The Disowned — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
But while Clarence, despite of every advantage before him, hastened to
a court of dissipation and pleasure, with feelings in which regretful
affection for those he had left darkened his worldly hopes and mingled
with the sanguine anticipations of youth, Warner, poor, low-born, wasted
with sickness, destitute of friends, shut out by his temperament from
the pleasures of his age, burned with hopes far less alloyed than those
of Clarence, and found in them, for the sacrifice of all else, not only
a recompense, but a triumph.
Thursday came. Warner had made one request to Talbot, which had with
difficulty been granted: it was that he himself might unseen be the
auditor of the great painter’s criticisms, and that Sir Joshua should be
perfectly unaware of his presence. It had been granted with difficulty,
because Talbot wished to spare Warner the pain of hearing remarks which
he felt would be likely to fall far short of the sanguine self-elation
of the young artist; and it had been granted because Talbot imagined
that, even should this be the case, the pain would be more than
counterbalanced by the salutary effect it might produce. Alas! vanity
calculates but poorly upon the vanity of others! What a virtue we should
distil from frailty; what a world of pain we should save our brethren,
if we would suffer our own weakness to be the measure of theirs!
Thursday came: the painting was placed by the artist’s own hand in the
most favourable light; a curtain, hung behind it, served as a screen
for Warner, who, retiring to his hiding-place, surrendered his heart to
delicious forebodings of the critic’s wonder and golden anticipations of
the future destiny of his darling work. Not a fear dashed the full and
smooth cup of his self-enjoyment. He had lain awake the whole of the
night in restless and joyous impatience for the morrow. At daybreak he
had started from his bed, he had unclosed his shutters, he had hung over
his picture with a fondness greater, if possible, than he had ever known
before! like a mother, he felt as if his own partiality was but a part
of a universal tribute; and, as his aged relative, turning her dim eyes
to the painting, and, in her innocent idolatry, rather of the artist
than his work, praised and expatiated and foretold, his heart whispered,
“If it wring this worship from ignorance, what will be the homage of
science?”
Public-domain text, read in full here on John Shaqi.
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