The Disowned — CompleteLytton, Edward Bulwer Lytton, Baron
General
The Disowned — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
So far had the history of our lover proceeded at the time in which we
have introduced Isabel to the reader, and described to him the chamber
to which, in all her troubles and humiliations, she was accustomed to
fly, as to a sad but still unviolated sanctuary of retreat.
The quiet of this asylum was first broken by a slight rustling among
the leaves; but Isabel’s back was turned towards the window, and in
the engrossment of her feelings she heard it not. The thick copse that
darkened the left side of the veranda was pierced, and a man passed
within the covered space, and stood still and silent before the window,
intently gazing upon the figure, which (though the face was turned
from him) betrayed in its proportions that beauty which in his eyes had
neither an equal nor a fault.
The figure of the stranger, though not very tall, was above the ordinary
height, and gracefully rather than robustly formed. He was dressed in
the darkest colours and the simplest fashion, which rendered yet more
striking the nobleness of his mien, as well as the clear and almost
delicate paleness of his complexion; his features were finely and
accurately formed; and had not ill health, long travel, or severe
thought deepened too much the lines of the countenance, and sharpened
its contour, the classic perfection of those features would have
rendered him undeniably and even eminently handsome. As it was, the
paleness and the somewhat worn character of his face, joined to an
expression at first glance rather haughty and repellent, made him lose
in physical what he certainly gained in intellectual beauty. His eyes
were large, deep, and melancholy, and had the hat which now hung over
his brow been removed, it would have displayed a forehead of remarkable
boldness and power.
Altogether, the face was cast in a rare and intellectual mould, and,
if wanting in those more luxuriant attractions common to the age of the
stranger, who could scarcely have attained his twenty-sixth year, it
betokened, at least, that predominance of mind over body which in some
eyes is the most requisite characteristic of masculine beauty.
With a soft and noiseless step, the stranger moved from his station
without the window, and, entering the room, stole towards the spot on
which Isabel was sitting. He leaned over her chair, and his eye rested
upon his own picture, and a letter in his own writing, over which the
tears of the young orphan flowed fast.
A moment more of agitated happiness for one, of unconscious and
continued sadness for the other,--
“‘T is past, her lover’s at her feet.”
And what indeed “was to them the world beside, with all its changes
of time and tide”? Joy, hope, all blissful and bright sensations, lay
mingled, like meeting waters, in one sunny stream of heartfelt and
unfathomable enjoyment; but this passed away, and the remembrance of
bitterness and evil succeeded.
“Oh, Algernon!” said Isabel, in a low voice, “is this your promise?”
Public-domain text, read in full here on John Shaqi.
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