The Disowned — CompleteLytton, Edward Bulwer Lytton, Baron
General
The Disowned — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
“What ho! my bob cuffins,” cried the gypsy guide, “I have brought you a
gentry cove, to whom you will show all proper respect: and hark ye, my
maunders, if ye dare beg, borrow, or steal a single croker,--ay, but a
bawbee of him, I’ll--but ye know me.” The gypsy stopped abruptly, and
turned an eye, in which menace vainly struggled with good-humour, upon
each of his brethren, as they submissively bowed to him and his protege,
and poured forth a profusion of promises, to which their admonitor did
not even condescend to listen. He threw off his great-coat, doubled
it down by the best place near the fire, and made the youth forthwith
possess himself of the seat it afforded. He then lifted the cover of the
mysterious caldron. “Well, Mort,” cried he to the old woman, as he bent
wistfully down, “what have we here?”
“Two ducks, three chickens, and a rabbit, with some potatoes,” growled
the old hag, who claimed the usual privilege of her culinary office, to
be as ill-tempered as she pleased.
“Good!” said the gypsy; “and now, Mim, my cull, go to the other tent,
and ask its inhabitants, in my name, to come here and sup; bid them
bring their caldron to eke out ours: I’ll find the lush.”
With these words (which Mim, a short, swarthy member of the gang, with a
countenance too astute to be pleasing, instantly started forth to obey)
the gypsy stretched himself at full length by the youth’s side, and
began reminding him, with some jocularity and at some length, of his
promise to drink to their better acquaintance.
Something there was in the scene, the fire, the caldron, the intent
figure and withered countenance of the old woman, the grouping of the
other forms, the rude but not unpicturesque tent, the dark still woods
on either side, with the deep and cloudless skies above, as the stars
broke forth one by one upon the silent air, which (to use the orthodox
phrase of the novelist) would not have been wholly unworthy the bold
pencil of Salvator himself.
Public-domain text, read in full here on John Shaqi.
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