"But without the estate, sir, you have nothing!" "True," said Algernon, calmly. But the claim was not just, and to law he went. In this lawsuit, however, he had one assistant in an old relation, who had seen, indeed, but very little of him, but who compassionated his circumstances, and above all hated his opponent. This relation was rich and childless; and there were not wanting those who predicted that his money would ultimately discharge the mortgages and repair the house of the young representative of the Mordaunt honours. But the old kinsman was obstinate, self-willed, and under the absolute dominion of patrician pride; and it was by no means improbable that the independence of Mordaunt's character would soon create a disunion between them, by clashing against the peculiarities of his relation's temper. It was a clear and sunny morning when Linden, tolerably recovered of his hurt, set out upon a sober and aged pony, which after some natural pangs of shame he had hired of his landlord, to Mordaunt Court. Mordaunt's house was situated in the midst of a wild and extensive park, surrounded with woods, and interspersed with trees of the stateliest growth, now scattered into irregular groups, now marshalled into sweeping avenues; while, ever and anon, Linden caught glimpses of a rapid and brawling rivulet, which in many a slight but sounding waterfall gave a music strange and spirit-like to the thick copses and forest glades through which it went exulting on its way. The deer lay half concealed by the fern among which they couched, turning their stately crests towards the stranger, but not stirring from their rest; while from the summit of beeches which would have shamed the pavilion of Tityrus the rooks--those monks of the feathered people--were loud in their confused but not displeasing confabulations. As Linden approached the house, he was struck with the melancholy air of desolation which spread over and around it: fragments of stone, above which clomb the rank weed, insolently proclaiming the triumph of Nature's meanest offspring over the wrecks of art; a moat dried up; a railing once of massive gilding, intended to fence a lofty terrace on the right from the incursions of the deer, but which, shattered and decayed, now seemed to ask with the satirist,-- "To what end did our lavish ancestors Erect of old these stately piles of ours?" --a chapel on the left, perfectly in ruins,--all appeared strikingly to denote that time had outstripped fortune, and that the years, which alike hallow and destroy, had broken the consequence, in deepening the antiquity, of the House of Mordaunt.