The Disowned — Volume 02Lytton, Edward Bulwer Lytton, Baron
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The Disowned — Volume 02
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
"Miserable wretch!" said Warner, loathingly, as he pushed her aside;
but Clarence, with a kindlier feeling, noticed that her haggard cheek
was wet with tears, and that her frame, weak and trembling, could
scarcely support itself; he, therefore, with that promptitude of
charity which gives ere it discriminates put some pecuniary assistance
in her hand and joined his comrade.
"You would not have spoken so tauntingly to the poor girl had you
remarked her distress," said Clarence.
"And why," said Warner, mournfully, "why be so cruel as to prolong,
even for a few hours, an existence which mercy would only seek to
bring nearer to the tomb? That unfortunate is but one of the herd,
one of the victims to pleasures which debase by their progress and
ruin by their end. Yet perhaps she is not worse than the usual
followers of love,--of love, that passion the most worshipped, yet the
least divine,--selfish and exacting,--drawing its aliment from
destruction, and its very nature from tears."
"Nay," said Clarence, "you confound the two loves, the Eros and the
Anteros; gods whom my good tutor was wont so sedulously to
distinguish: you surely do not inveigh thus against all love?"
"I cry you mercy," said Warner, with something of sarcasm in his
pensiveness of tone. "We must not dispute; so I will hold my peace:
but make love all you will; what are the false smiles of a lip which a
few years can blight as an autumn leaf? what the homage of a heart as
feeble and mortal as your own? Why, I, with a few strokes of a little
hair and an idle mixture of worthless colours, will create a beauty in
whose mouth there shall be no hollowness, in whose lip there shall be
no fading; there, in your admiration, you shall have no need of
flattery and no fear of falsehood; you shall not be stung with
jealousy nor maddened with treachery; nor watch with a breaking heart
over the waning bloom, and departing health, till the grave open, and
your perishable paradise is not. No: the mimic work is mightier than
the original, for it outlasts it; your love cannot wither it, or your
desertion destroy; your very death, as the being who called it into
life, only stamps it with a holier value."
"And so then," said Clarence, "you would seriously relinquish, for the
mute copy of the mere features, those affections which no painting can
express?"
Public-domain text, read in full here on John Shaqi.
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