The Disowned — Volume 02Lytton, Edward Bulwer Lytton, Baron
General
The Disowned — Volume 02
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
It was this which gave to Algernon's studies their peculiar hue;
while, on the other hand, the taste for the fine arts which then
universally prevailed, directed to the creations of painting, rather
than those of poetry, more really congenial to his powers, the intense
imagination and passion for glory which marked and pervaded the
character of the artist.
But as we have seen that that passion for glory made the great
characteristic difference between Clarence and Warner, so also did
that passion terminate any resemblance which Warner bore to Algernon
Mordaunt. With the former a rank and unwholesome plant, it grew up to
the exclusion of all else; with the latter, subdued and regulated, it
sheltered, not withered, the virtues by which it was surrounded. With
Warner, ambition was a passionate desire to separate himself by fame
from the herd of other men; with Mordaunt, to bind himself by charity
yet closer to his kind: with the one, it produced a disgust to his
species; with the other, a pity and a love: with the one, power was
the badge of distinction; with the other, the means to bless! But our
story lingers.
It was now the custom of Warner to spend the whole day at his work,
and wander out with Clarence, when the evening darkened, to snatch a
brief respite of exercise and air. Often, along the lighted and
populous streets, would the two young and unfriended competitors for
this world's high places roam with the various crowd, moralizing as
they went or holding dim conjecture upon their destinies to be. And
often would they linger beneath the portico of some house where,
"haunted with great resort," Pleasure and Pomp held their nightly
revels, to listen to the music that, through the open windows, stole
over the rare exotics with which wealth mimics the southern scents,
and floated, mellowing by distance, along the unworthy streets; and
while they stood together, silent and each feeding upon separate
thoughts, the artist's pale lip would curl with scorn, as he heard the
laugh and the sounds of a frivolous and hollow mirth ring from the
crowd within, and startle the air from the silver spell which music
had laid upon it. "These," would he say to Clarence, "these are the
dupes of the same fever as ourselves: like us, they strive and toil
and vex their little lives for a distinction from their race.
Ambition comes to them, as to all: but they throw for a different
prize than we do; theirs is the honour of a day, ours is immortality;
yet they take the same labour and are consumed by the same care. And,
fools that they are, with their gilded names and their gaudy
trappings, they would shrink in disdain from that comparison with us
which we, with a juster fastidiousness, blush at this moment to
acknowledge."
Public-domain text, read in full here on John Shaqi.
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