The Disowned — Volume 03Lytton, Edward Bulwer Lytton, Baron
General
The Disowned — Volume 03
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
But while Clarence, despite of every advantage before him, hastened to
a court of dissipation and pleasure, with feelings in which regretful
affection for those he had left darkened his worldly hopes and mingled
with the sanguine anticipations of youth, Warner, poor, low-born,
wasted with sickness, destitute of friends, shut out by his
temperament from the pleasures of his age, burned with hopes far less
alloyed than those of Clarence, and found in them, for the sacrifice
of all else, not only a recompense, but a triumph.
Thursday came. Warner had made one request to Talbot, which had with
difficulty been granted: it was that he himself might unseen be the
auditor of the great painter's criticisms, and that Sir Joshua should
be perfectly unaware of his presence. It had been granted with
difficulty, because Talbot wished to spare Warner the pain of hearing
remarks which he felt would be likely to fall far short of the
sanguine self-elation of the young artist; and it had been granted
because Talbot imagined that, even should this be the case, the pain
would be more than counterbalanced by the salutary effect it might
produce. Alas! vanity calculates but poorly upon the vanity of
others! What a virtue we should distil from frailty; what a world of
pain we should save our brethren, if we would suffer our own weakness
to be the measure of theirs!
Thursday came: the painting was placed by the artist's own hand in the
most favourable light; a curtain, hung behind it, served as a screen
for Warner, who, retiring to his hiding-place, surrendered his heart
to delicious forebodings of the critic's wonder and golden
anticipations of the future destiny of his darling work. Not a fear
dashed the full and smooth cup of his self-enjoyment. He had lain
awake the whole of the night in restless and joyous impatience for the
morrow. At daybreak he had started from his bed, he had unclosed his
shutters, he had hung over his picture with a fondness greater, if
possible, than he had ever known before! like a mother, he felt as if
his own partiality was but a part of a universal tribute; and, as his
aged relative, turning her dim eyes to the painting, and, in her
innocent idolatry, rather of the artist than his work, praised and
expatiated and foretold, his heart whispered, "If it wring this
worship from ignorance, what will be the homage of science?"
Public-domain text, read in full here on John Shaqi.
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