Now do not be alarmed: I am not going to inflict upon you the unquiet retrospect with which I have just been vexing myself; no, I will rather speak to you of my acquaintance and host to be. I have said that I first met Mordaunt some years since at this inn,--an accident, for which his horse was to blame, brought us acquainted,--I spent a day at his house, and was much interested in his conversation; since then, we did not meet till about two years and a half ago, when we were in Italy together. During the intermediate interval Mordaunt had married; lost his property by a lawsuit; disappeared from the world (whither none knew) for some years; recovered the estate he had lost by the death of his kinsman's heir, and shortly afterwards by that of the kinsman himself; and had become a widower, with one only child, a beautiful little girl of about four years old. He lived in perfect seclusion, avoided all intercourse with society, and seemed so perfectly unconscious of having ever seen me before, whenever in our rides or walks we met, that I could not venture to intrude myself on a reserve so rigid and unbroken as that which characterized his habits and life. The gloom and loneliness, however, in which Mordaunt's days were spent, were far from partaking of that selfishness so common, almost so necessarily common, to recluses. Wherever he had gone in his travels through Italy, he had left light and rejoicing behind him. In his residence at ----, while unknown to the great and gay, he was familiar with the outcast and the destitute. The prison, the hospital, the sordid cabins of want, the abodes (so frequent in Italy, that emporium of artists and poets) where genius struggled against poverty and its own improvidence,--all these were the spots to which his visits were paid, and in which "the very stones prated of his whereabout." It was a strange and striking contrast to compare the sickly enthusiasm of those who flocked to Italy to lavish their sentiments on statues, and their wealth on the modern impositions palmed upon their taste as the masterpieces of ancient art,--it was a noble contrast, I say, to compare that ludicrous and idle enthusiasm with the quiet and wholesome energy of mind and heart which led Mordaunt, not to pour forth worship and homage to the unconscious monuments of the dead but to console, to relieve, and to sustain the woes, the wants, the feebleness of the living.