The Divine Comedy of Dante Alighieri: The Inferno — John Shaqi
The Divine Comedy of Dante Alighieri: The InfernoDante Alighieri
ReligionJewish
The Divine Comedy of Dante Alighieri: The Inferno
Dante Alighieri
Epic poetry, Italian -- Translations into English; Hell; Italian poetry -- To 1400 -- Translations into English
The opportunity of this class might seem to have come when the
Hohenstaufen Frederick II., grandson of Barbarossa, ascended the throne,
and still more when, on attaining full age, he claimed the whole of the
Peninsula as his family inheritance. Other Emperors had withstood the
Papal claims, but none had ever proved an antagonist like Frederick. His
quarrel seemed indeed to be with the Church itself, with its doctrines
and morals as well as with the ambition of churchmen; and he offered the
strange spectacle of a Roman Emperor--one of the twin lights in the
Christian firmament--whose favour was less easily won by Christian
piety, however eminent, than by the learning of the Arab or the Jew.
When compelled at last to fulfil a promise extorted from him of
conducting a crusade to the Holy Land, he scandalised Christendom by
making friends of the Sultan, and by using his presence in the East, not
for the deliverance of the Sepulchre, but for the furtherance of
learning and commerce. Thrice excommunicated, he had his revenge by
proving with how little concern the heaviest anathemas of the Church
could be met by one who was armed in unbelief. Literature, art, and
manners were sedulously cultivated in his Sicilian court, and among the
able ministers whom he selected or formed, the modern idea of the State
may be said to have had its birth. Free thinker and free liver, poet,
warrior, and statesman, he stood forward against the sombre background
of the Middle Ages a figure in every respect so brilliant and original
as well to earn from his contemporaries the title of the Wonder of the
World.
Public-domain text, read in full here on John Shaqi.
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