The Divine Comedy of Dante Alighieri: The InfernoDante Alighieri
ReligionJewish
The Divine Comedy of Dante Alighieri: The Inferno
Dante Alighieri
Epic poetry, Italian -- Translations into English; Hell; Italian poetry -- To 1400 -- Translations into English
[611] _Æsop's fable_: This fable, mistakenly attributed to Æsop, tells
of how a frog enticed a mouse into a pond, and how they were then both
devoured by a kite. To discover the aptness of the simile would scarcely
be reward enough for the continued mental effort Dante enjoins. So much
was everything Greek or Roman then held in reverence, that the mention
even of Æsop is held to give dignity to the page.
[612] _Mo_ and _Issa_: Two words for _now_.
[613] _Through us_: The quarrel among the fiends arose from Dante's
insatiable desire to confer with 'Tuscan or Lombard.'
[614] _To the next Bolgia_: The Sixth. They are now on the top of the
circular ridge that divides it from the Fifth. From the construction of
Malebolge the ridge is deeper on the inner side than on that up which
they have travelled from the pitch.
[615] _No more a cause of dread_: There seems some incongruity between
Virgil's dread of these smaller devils and the ease with which he cowed
Minos, Charon, and Pluto. But his character gains in human interest the
more he is represented as sympathising with Dante in his terrors; and in
this particular case the confession of fellow-feeling prepares the way
for the beautiful passage which follows it (line 38, etc.), one full of
an almost modern tenderness.
[616] _Cologne_: Some make it Clugny, the great Benedictine monastery;
but all the old commentators and most of the mss. read Cologne. All that
the text necessarily carries is that the cloaks had great hoods. If, in
addition, a reproach of clumsiness is implied, it would agree well
enough with the Italian estimate of German people and things.
[617] _Frederick's, etc._: The Emperor Frederick II.; but that he used
any torture of leaden sheets seems to be a fabrication of his enemies.
[618] _Passage strait_: Through the crowd of shades, all like themselves
weighed down by the leaden cloaks. There is nothing in all literature
like this picture of the heavily-burdened shades. At first sight it
seems to be little of a torture compared with what we have already seen,
and yet by simple touch after touch an impression is created of the
intolerable weariness of the victims. As always, too, the punishment
answers to the sin. The hypocrites made a fair show in the flesh, and
now their mantles which look like gold are only of base lead. On earth
they were of a sad countenance, trying to seem better than they were,
and the load which to deceive others they voluntarily assumed in life is
now replaced by a still heavier weight, and one they cannot throw off if
they would. The choice of garb conveys an obvious charge of hypocrisy
against the Friars, then greatly fallen away from the purity of their
institution, whether Franciscans or Dominicans.
[619] _An eye askance_: They cannot turn their heads.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account